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Nineteenth-Century Contexts
An Interdisciplinary Journal
Volume 43, 2021 - Issue 4
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Reviews

Nineteenth-century opera and the scientific imagination

edited by David Trippett and Benjamin Walton, Cambridge, Cambridge UP, 2019, 392 pp., $120.00 (hardcover), ISBN: 978-1-316-27586-3

Pages 509-511 | Published online: 05 Aug 2021
 

Notes

1 William Whewell, review of Mary Somerville, On the Connexion of the Physical Sciences (1834), The Quarterly Review 51/101 (March 1834): 59 [54–68].

2 Interdisciplinary Advisory Panel (IDAP) Criteria Phase Report, IDAP, 2019; https://www.ref.ac.uk/panels/interdisciplinary-research-advisory-panel.

Additional information

Notes on contributors

Bennett Zon

Bennett Zon is Professor of Music and Director Centre for Nineteenth-Century Studies at Durham University. He is also General Editor of Nineteenth-Century Music Review (Cambridge) and the book series Music in Nineteenth-Century Britain (Routledge), and Editor of the Yale Journal of Music and Religion. Zon researches music, religion and science in the long nineteenth-century; recent publications include Evolution and Victorian Musical Culture (2017) and Victorian Culture the Origin of Disciplines, co-edited with Bernard Lightman (2019).

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