Notes
1A brief review of the term itself and the most important land art works can be found in LailachCitation2007 ; a more complete catalogue can be found in MalpasCitation2008a. Classics on the subject are TiberghieuCitation1993, Kastner and WallisCitation1998, and AndrewsCitation1999. None of them quote Zurita's 10,000-foot line of poetry carved into the desert as a work of land art. Indeed, most of them do not recognize artists outside Europe and North America.
2For an interesting essay on this subject, see Buci-GlucksmannCitation2003.
Lailach
,
Michael
.
2007
.
Land Art
,
Köln
:
Taschen
.
Malpas
,
William
.
2008a
.
Land Art: A Complete Guide
,
Maidstone
:
Crescent Moon
.
Tiberghieu
,
Gilles
.
1993
.
Land Art
,
Paris
:
Carré
.
Kastner
,
Jeffrey
and
Brian
,
Wallis
.
1998
.
Land and Environmental Art
,
London
:
Phaidon
.
Andrews
,
Malcolm
.
1999
.
Landscape and Western Art
,
New York
:
Oxford University Press
.
Buci-Glucksmann
,
Christine
.
2003
.
Esthétique de léphémère
,
Paris
:
Galilée
.
Additional information
Notes on contributors
Juan Soros
Juan Soros (b. Santiago, Chile, 1975) is an industrial engineer and a Ph.D. candidate in Hispanic American literature at the Universidad Complutense in Madrid. He has published the poetry volumes Tanatorio (2002), Cineraria (2005), Tarsis (2010), the essay Disolviendo las fronteras: Land Art y poesía en la obra de Raúl Zurita (2011), and ARA, máquina de memoria (2012). He is the director of the Transatlántica/Portbou poetry collection