COVID bread-porn: social stratification through displays of self-management

ABSTRACT

Much has been and will continue to be made of ‘official responses’ to the COVID-19 pandemic, particularly around the varying success of prescribed isolation practices and how well (or not) people, taken in aggregate, complied with them. This paper examines a more spontaneous response to COVID-19 isolation: bread-porn. Taken literally, bread-porn is the competitive display of gratuitous pictures of home-baked bread across social media (particularly in the ‘west’), shared by people isolated at home. On the surface, such pictures perfunctorily depict bread; yet, it is argued that these pictures are more nuanced than that, and that the bread itself is almost immaterial. ‘COVID bread-porn’ was a jockeying for social standing and represented one of many unique, if temporary, forms of do-it-yourself (DIY) cultural currency while people were less able to access other extant systems of representational social stratification. The paper discusses the value and significance of the suffix ‘porn’ with respect to struggles to understand the extremities of new systems of value, by linking how temporary COVID culture fit into the flow of the cultural changes that preceded it. The paper argues that the world faced the COVID pandemic at a tumultuous time marked by liminality between historically ‘physical’ and emerging ‘cerebral’ cultural practices in many societies (i.e. the move from manufacturing to ‘knowledge’ economies). Thus, it situates bread-porn as an attempt to ‘win’ at isolation by demonstrating prowess with available domestic resources, and highlights the productive tension of bread-porn that extends and potentially resists the social imperatives of pandemic self-management.

KEYWORDS:

• COVID-19
• porn
• isolation
• representation
• nerd culture
• social media

Disclosure statement

No potential conflict of interest was reported by the author(s).

Further information

This Special Issue article has been comprehensively reviewed by the Special Issue editors, Associate Professor Ted Striphas and Professor John Nguyet Erni.

Additional information

Funding

This project has received funding support from a VIU Publish Grant.

Notes on contributors

Ravindra N. Mohabeer

Ravindra N. Mohabeer holds a PhD in Communication and Culture and is a faculty member and Chair of the Department of Media Studies at Vancouver Island University, Canada. His research focuses on a multidimensional social theory of invisibility, the intersections of digital expression, do-it-yourself and everyday culture, and on belonging bisected by race, class, and non-urbanity.