Restaging the 1989 revolution: the Romanian New Wave

Abstract

Almost 20 years after the 1989 Romanian revolution, the subject is experiencing a powerful comeback in a number of cinematic reflections that are at the forefront of the so-called Romanian New Wave, including Corneliu Porumboiu's 12:08 East of Bucharest, Radu Muntean's The paper will be blue and Catalin Mitulescu's How I spent the end of the world. This article seeks to establish some of the contributions that the New Wave is making to the reconstruction of the 1989 revolutionary moment, but also, and more importantly, to the renegotiation of Romania's present role in the local and global imaginary. The article offers a particular reading of these films as inspired by Walter Benjamin's writings on history and film, a reading that seeks to understand the careful temporal and spatial renegotiation of the revolutionary moment of December 1989, the key role that the technology of film has played throughout the course of the Romanian revolution and its aftermath, as well as the critical importance that the revolutionary moment continues to have for the way in which Romania imagines itself and is seen from abroad.

Notes

¹ The tower was one of the first official buildings to have been taken over by the demonstrators and was being fired upon as the revolutionaries gathered there were trying to address both a local and international audience via a free broadcasting medium.