Beneath the surface: the masculine self and body in Sheridan Le Fanu’s ‘Green Tea’

Abstract

This article examines the relationship between the masculine self and male body in Sheridan Le Fanu’s short story ‘Green Tea’ (1872), using a masculinity studies lens to analyze Mr Jennings’ destabilized masculinity within the parameters of Victorian male gender norms. I highlight the interwoven relationship between the masculine self and the body through looking at the physical depiction of Jennings, arguing that Jennings’ masculinity, his masculine self, is imprisoned as a reflection of the physical body; a relationship echoing Victorian gender norms regarding masculinity and the body. In the story, a demon follows and watches Jennings, appearing when Jennings is engaged in activity. Focusing on the relationship between the demon’s manifestation and Jennings’ activity, I show that the demon’s presence results from Jennings’ nonconformity to traditional notions of the masculine self. Le Fanu’s emphasis on the demon’s gaze serves to criticize Jennings’ masculinity as Jennings becomes submissive to the demon’s presence; as a result, this submission is mirrored in Jennings’ deteriorating physical body and health. By positing the masculine self within the body, the story acts to highlight Victorian society’s rigid male gender norms and the penalization of bodies that undermine those ideals.

Keywords:

• Masculinity
• masculine self
• Gothic
• male body