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Research Articles

Pathology persists and stigma stays: representations of (autistic) Stephen Greaves in the post-apocalyptic world

, ORCID Icon, , &
Pages 955-971 | Received 30 Nov 2019, Accepted 11 Nov 2020, Published online: 21 Dec 2020
 

Abstract

This paper is an analysis of the depiction of autism in The Boy on the Bridge, a post-apocalyptic, dystopian, horror, fiction novel to critically deconstruct the representation of autism specifically related to 15-year-old science prodigy Stephen Greaves. Using a critical content analysis approach, three relevant constructs were identified with depictions including savant/super-crip, non-human othering, and psycho-emotional disablism. Each of these areas is discussed related to the current literature on disability, generally, and autism, more specifically. This analysis demonstrates that cultural understandings of disability are dominated by the medical model, and continue to stigmatize and pathologize while excluding positive social identities. Consideration of the potential damaging aspects of literature portrayals of autism in fictional works is needed to move the autism genre forward in a humanizing and inclusive manner.

    Points of interest

  • This study brings awareness to some assumptions around disability by pulling apart one way that autism is presented for public understanding.

  • Even fictional stories can play a role in awareness and understanding of disability such as knowing that autistic people can also be gifted.

  • Notions such as savantism are presented and discussed to help readers understand the various layers in disability.

  • Disability can be presented positively and/or negatively in popular media in both obvious and subtle ways.

  • It is up to readers and viewers to carefully consider how information on disability from popular media might be biased.

Disclosure statement

No potential conflict of interest was reported by the authors.

Additional information

Funding

This study was supported by Memorial University of Newfoundland.

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