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Angelaki
Journal of the Theoretical Humanities
Volume 9, 2004 - Issue 3
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Pages 89-90 | Published online: 19 Oct 2010
 

Notes

Alexander García Düttmann

43 Blenheim Terrace

London NW8 0EJ

UK

E‐mail: [email protected]

Marcel Proust, A la recherche du temps perdu, vol. IV (Paris: Bibliothèque de la Pléiade, 1988) 158.

Luchino Visconti's Death in Venice is an impressive film once the viewer realizes that it is almost a silent movie, with the flashback sequences functioning not as the enunciation of a conflict between doctrines that the plot itself illustrates but as a contrasting and ironic reminiscence of words and their triviality. As a silent movie this film points to itself, as it were to the awakening of the dead.

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Notes on contributors

alexander garcía düttmann Footnote

Alexander García Düttmann 43 Blenheim Terrace London NW8 0EJ UK E‐mail: [email protected]

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