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Abstract
Like other disciplines within the humanities and social sciences, cultural policy studies has had to respond to the influence of computing technologies. Researchers have explored the changes wrought to the management of cultural organisations, to the models of the creative industries and to new forms of access to culture and the arts. This paper suggests that these emphases might miss how computing technologies are re-shaping the project of cultural policy in a more fundamental direction. The paper draws on the work concerned with the cultural values of computing technologies and their influence on contemporary modes of government. These values, of instrumental reason, categorisation and calculation underpin a range of technologies, which are increasingly present in and important to the management of everyday life. Reflecting on how cultural taste and participation are being re-shaped by computing technologies, the paper argues these infrastructures are informed by specific visions of the kinds of people who live with and through them and how such people can be governed. The long-standing focus of cultural policy studies – about how states are concerned with the cultural formation of their citizens – are keenly present in the strategic ambitions and imperatives associated with computation.
Acknowledgments
Versions of this paper were presented at the ICCPR in Seoul, South Korea in July 2016 and to the research seminar series of the Department of Culture, Media and Creative Industries at King’s College London in March 2017. I’m grateful to participants in these events for their comments and questions.
Notes
1. See http://www.artscouncil.org.uk/participating-and-attending/culture-based-segmentation (acessed 24th November 2017).