Abstract
Recent feminist rhetorical theory (Griffin, 1996) questions the conventional dichotomy of public and private discourse which helps to define the field of rhetoric. A criticism of the independent short film You Take Care Now by Ann Marie Fleming (1989) appropriates a concept from French developmental psychology of the 1950's dubbed “syncretic sociability” in order to demonstrate the difficulty of maintaining any such defining opposition. Syncretic sociability construes consciousness as a relation between body, mind, world, and other which exists as a series of coordinates in a relational field, an irreducible embodiment. The reflexive insertion of the body in the world and the world in the body makes a distinction between public and private realms arbitrary and distorting. A close reading of You Take Care Now, which depicts in the form of personal narrative the rape of a young woman, demonstrates a rhetoric that refuses the violence of separating the private and the public.