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Original Articles

Introduction: Oral Interpretation and Ethnography in Performance: (Re)Examining the Dangerous Shores 2012

Pages 187-191 | Published online: 22 Jun 2012
 

Notes

1. This is a direct reference to the June 2012 NCA sponsored Performance Studies Conference, Economies and Ethics of Performance: Performance in/as Communication, held on the campus of Villanova University June 22–24, 2012.

2. In this sense, and recognizing Michael LeVan's shifted metaphor from shores to shoals, it is important to signal a Special Issue of the International Review of Qualitative Research edited by W. Benjamin Myers and Bryant Keith Alexander dedicated to expanding the metaphors for performance beginning with Dwight Conguergood's “caravan” metaphor including contributions by Ron Pelias, David Hanley-Tejeda, W. Benjamin Myers, Season Ellison, Lesa Lockford, Shauna MacDonald, D. Soyini Madison, Della Pollock, Christopher Poulos, John T. Warren, Nicole Defenbaugh, Tami Spry, Karin Schlucker, Claudio Moreira, Hari Stephen Kumar, and Bryant Keith Alexander.

Additional information

Notes on contributors

M. Heather Carver

M. Heather Carver is Associate Professor of Performance Studies in the Department of Theatre at the University of Missouri, Columbia

Bryant Keith Alexander

Bryant Keith Alexander is Professor in the Department of Communication Studies and Dean, College of Communication and Fine Arts, Loyola Marymount University

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