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Performance Space

“We are chosen”: bearing witness in Animal Parade

Pages 177-183 | Received 17 Jan 2019, Accepted 12 Feb 2019, Published online: 16 Apr 2019
 

ABSTRACT

In this response to Chris Collins's Animal Parade I grapple with my personal, as well as a larger disciplinary reticence to adopt posthumanist perspectives. I argue that Animal Parade puts our disciplinary values on display and points to the unique position of the performance studies scholar-artist for addressing extinction, environmental destruction, and our relationship with non-human others. Specifically, I draw upon Benjamin Haas’s notion of hopeless activism to articulate the way Animal Parade calls upon its audience and the performance studies scholar to bear witness in the Anthropocene.

Disclosure statement

No potential conflict of interest was reported by the author.

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