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Contemporary Theatre Review Volume 16, 2006 - Issue 3: Popular Forms for a Radical Theatre
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Pages 358-365 | Published online: 25 Jan 2007
 
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Notes

See, for instance, Annette Wannamaker, ‘Present(ing) Historical Memory: Beah Richards’“A Black Woman Speaks”, Performance, and a Pedagogy of Whiteness', Theatre Topics, 14:1 (March 2004), 339–351.

Athol Fugard, The Township Plays (Oxford and Cape Town: Oxford University Press, 1993b).

Athol Fugard, ‘Master Harold' … and the Boys (Cape Town and Oxford: Oxford University Press, 1993a).

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