Erratum

In Kim Solga's article ‘Body Doubles, Babel's Voices: Katie Mitchell's Iphigenia at Aulis and the Theatre of Sacrifice’ in Contemporary Theatre Review 18.2, the opening lines of the abstract should have read as follows: ‘What happens to a body when circumstance demands it enact its own forgetting? What reaction in turn does a body in the process of violent self-erasure prompt in its spectators? These and related questions propel my investigation of Katie Mitchell's 2004 National Theatre production of Euripides' Iphigenia at Aulis.’ Apologies to Kim Solga for the editorial oversight. (DR).