Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change by Dani Snyder-Young

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Notes

1. See Shannon Jackson, Social Works: Performing Art, Supporting Publics (Abingdon and New York: Routledge, 2011); Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship (London: Verso, 2012); Grant Kester, The One and the Many: Contemporary Collaborative Art in a Global Context (Durham, NC: Duke University Press, 2011); Jen Harvie, Fair Play: Art, Performance and Neoliberalism (Basingstoke and New York: Palgrave Macmillan, 2013); Nicholas Ridout, Passionate Amateurs: Theatre, Communism, and Love (Ann Arbor, MI: University of Michigan Press, 2013).

2. Jackson, Social Works, p. 29.

3. Ibid.

4. Ibid.