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Notes
1. Susan Bennett, Theatre Audiences: A Theory of Production and Reception (London and New York: Routledge, 1997), p. 9.
2. Diana Taylor, The Archive and the Repertoire: Performing Cultural Memory in the Americas (Durham, NC and London: Duke University Press, 2003).
3. Shannon Jackson, Social Works: Performing Art, Supporting Publics (London and New York: Routledge, 2011), p. 44.
4. Alan Read, Theatre, Intimacy & Engagement: The Last Human Venue (Basingstoke and New York: Palgrave Macmillan, 2008), p. 6.