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Notes
1 Evan Spiegel, ‘2014 AXS Partner Summit Keynote’, Snapchat, 25 January 2014 <http://blog.snapchat.com> [accessed 3 March 2014].
2 REF 2014, Assessment Framework and Guidance on Submissions (London: Higher Education Funding Council for England, 2011), p. 45.
3 Institute of National Remembrance, ‘Office for the Preservation and Dissemination of Archival Records’, About the Institute of National Remembrance <http://ipn.gov.pl/en/about-the-institute/structure/offices/office-for-the-preservation-and-dissemination-of-archival-re> [accessed 3 March 2014].
4 Murray Edmond, ‘Signs of Reading: The Theatre of the Eight Day’s Teczki and Czas Matek’, Contemporary Theatre Review, 18.4 (2008), 442–56.
5 See ‘The British Grotowski Project’ <www.britishgrotowski.co.uk> [accessed 16 April 2014].
6 For a reproduction of one of these see Virginie Magnat, Grotowski, Women and Contemporary Performance: Meetings with Remarkable Women (New York: Routledge, 2014), p. 154.
7 See Peter Brook, With Jerzy Grotowski: Theatre Is Just a Form, ed. by Paul Allain, Grzegorz Ziółkowski, and George Banu (Wrocław: Grotowski Institute, 2009).
8 Ludwik Flaszen, Grotowski and Company, ed. by Paul Allain (London: Routledge, 2013).
9 Voices from Within: Grotowski’s Polish Collaborators, ed. by Paul Allain and Grzegorz Ziółkowski (London: PTP, 2014).
10 Zygmunt Molik and Giuliano Campo, Zygmunt Molik’s Voice and Bodywork: The Legacy of Jerzy Grotowski (London: Routledge, 2010).
11 Zbigniew Cynkutis, Acting with Grotowski, ed. by Paul Allain and Khalid Tyabji (London: Routledge, 2015).