![Sample our Arts journals, sign in here to start your access, latest two volumes FREE to you for 14 days]({"type":"image" , "src" : "/sda/110799/TOC-Subject-Sample-2021-Arts.jpg"})
Notes
1 Catching Australian Theatre in the 2000s, ed. by Richard Fotheringham and James Smith (Amsterdam: Rodopi, 2013).
2 Hon. Justice L. T. Olsen, Guide to Uniform Production of Judgments, 2nd edn (Melbourne: Australian Institute of Judicial Administration, 1999), section 1 <http://www.aija.org.au/online/judguide.htm> [accessed 17 September 2014].
3 Ibid., 3.2–3.4; 4.3.
4 Ibid., 5.1.
5 See Lawrence Lessig, The Future of Ideas (New York: Vintage, 2002).
6 Search of University of Queensland Library <http://www.library.uq.edu.au/> [accessed 4 February 2014].
7 Ann Hudson, ‘Training in Indexing: The Society of Indexers’ Course’, Information, 58.8 (2007), 407–09 (p. 409) <http://www.indexers.org.uk/files/IWP82007Hudson.pdf> available at Society of Indexers <http://www.indexers.org.uk/index.php?id=615> [accessed 5 February 2014].
8 Richard Fotheringham, Christa Jansohn, and R. S. White, Shakespeare’s World/World Shakespeares: The Selected Proceedings of the International Shakespeare Association World Congress Brisbane, 2006 (Newark: University of Delaware Press, 2008).
9 Shakespeare Companies and Festivals: An International Guide, ed. by Ron Engle, Felicia Hardison Londré, and Daniel J. Watermeier (Westwood, CT: Greenwood, 1995). Entries for the USA appeared on pp. 1–380; those for the rest of the world on pp. 381–508: an exact 75%–25% split.