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Notes
1. Starrs, 2012.
2. Allwords, “Definition of Terra Nullius.” Allwords.com.
3. Behrendt, “Treaty,” presented at Sharing the Space: The International Australian Studies Association Conference.
4. Moore and Muecke, “Racism and the Representation of Aborigines in Film,” in Australian Journal of Cultural Studies; 2:1 (1984), 36–53.
5. Moore and Muecke, Racism and the Representation, 36.
6. Starrs, 2012, p. 169.
7. Davis, “Locating The Sapphires: Transnational and Cross-Cultural Dimensions of an Australian Indigenous Musical Film,” in Continuum: Journal of Media & Cultural Studies, 598.
8. Dunbar-Hall and Gibson, “Singing About Nations Within Nations: Geopolitics and Identity in Australian Indigenous Rock Music,” in Popular Music and Society, 453 (emphasis added).
9. Dunbar-Hall and Gibson, Singing About Nations, 50.
10. Ibid.
11. Allwords, “Definition.
12. Kowal, “Welcome to Country?” in Meanjin, 17.
13. hooks, Eating the Other: Desire and Resistance,” in Black Looks: Race and Representation.
14. Davis, Locating The Sapphires, 601.
15. Ryan, “Introduction,” in Visual Voices: A Festival of Canadian Aboriginal Film and Video, 3.
16. Jull, “Embracing New Voices: Reconciliation in Canada,” in Reconciliation: Essays on Reconciliation in Australia, 220.
17. Asch, “Aboriginal Self-Government and Canadian Constitutional Identity: Building Reconciliation,” in Ethnicity and Aboriginality: Case Studies in Ethnonationalism, 29).
18. Behrendt, Treaty.
19. Haythornthwaite, Canadian Dimensions, 34.
20. Lancaster, “The Nisga'a treaty is our treaty,” in Canadian Dimension, 11.
21. Foster, “‘Indian Administration’ from the Royal Proclamation of 1763 to Constitutionally Entrenched Aboriginal Rights,” in Indigenous Peoples' Rights in Australia, Canada and New Zealand, 355.
22. Tully, Strange Multiplicity: Constitutionalism in an Age of Cultural Diversity, 185.
23. Borrows, “Wampum at Niagara: The Royal Proclamation, Canadian Legal History, and Self-Government,” in Aboriginal and Treaty Rights in Canada: Essays on Law, Equality and Respect for Difference, 155.
24. Foster, Indian Administration, 358–359.
25. Ibid., 358.
26. Ibid.
27. Tennant, “Aboriginal Peoples and Aboriginal Title in British Columbia Politics,” In Politics, Policy and Government in British Columbia, 46.
28. Asch, “From Calder to Van der Peet—Aboriginal Rights and Canadian Law, 1973-96,” in Indigenous Peoples' Rights in Australia, Canada and New Zealand, 428.
29. Dickinson and Wotherspoon, “From Assimilation to Self-Government: Towards a Political Economy of Canada's Aboriginal Policies,” in Deconstructing a Nation: Immigration, Multiculturalism and Racism in ‘90s Canada, 407.
30. Wolfe, “The Limits of Native Title,” in Meanjin, 130.
31. Behrendt, Treaty.
32. Ibid.
33. Department of Local Government, Engaging with Local Aboriginal Communities: A Resource Kit for Local Government in New South Wales (emphasis added).
34. Ibid. (emphasis added).
35. Hume, “Racist, or Good Marketing? DVD Cover for Australian Film The Sapphires Causes Controversy.
36. Ho, “The Sapphires,” in Alternative Law Journal, 295.
37. Quoted in Collins, “Rachel Perkins: Creating change through Blackfella Films,” in Senses of Cinema, 2013, 69, para. 21. <http://sensesofcinema.com/2013/contemporary-australian-filmmakers/rachel-perkins-creating-change-through-blackfella-films/>
Additional information
Notes on contributors
D. Bruno Starrs
Dr. D. Bruno Starrs is an award-winning Aboriginal Australian playwright and novelist. He is also the author of the textbook The Films of Rolf de Heer (3rd ed) (Smashwords via Starrs, 2015) and has held lecturing positions in Australia and many different Asian countries.