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Original Articles

Access to arts education in America: the availability of visual art, music, dance, and theater courses in U.S. high schools

Pages 50-69 | Published online: 18 Jun 2020
 

Abstract

The purpose of this study was to understand the contextual, school-level factors associated with the availability of arts education courses in the high schools of the United States. In the study, course offerings for a nationally representative sample of N = 940 high schools that were part of the National Center for Education Statistics High School Longitudinal Study of 2009 (HSLS) were analyzed to understand whether there were common school characteristics linked to the availability of visual art, music, dance, or theater courses. Results suggest that the strongest and most consistent school factor related to arts course availability was school size. As enrollment increased, so did the likelihood of offering any arts course or more than one of the arts disciplines. Traditional public schools had the greatest likelihood of offering arts education, followed by Catholic schools, and non-Catholic private schools. Public charter high schools were the least likely to offer courses in the arts. Proportion of students eligible for free- or reduced-price lunch was also associated with the probability of offering arts courses, with decreased arts availability at schools serving greater proportions of students eligible for the National School Lunch Program. Neither urbanicity nor region of the country were significantly associated with arts availability. The analyses reported in the article are both aggregated across all disciplines and disaggregated for each art form.

Acknowledgement

The opinions expressed in this paper are those of the author and do not represent the views of the National Endowment for the Arts or the NEA Office of Research & Analysis. The NEA does not guarantee the accuracy or completeness of the information in this paper and is not responsible for any consequence of its use.

Additional information

Funding

This analysis was supported in part by an award from the Research in the Arts program of the National Endowment for the Arts, Grant #16-3800-7011.

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