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Articles

Toward a Theory of Minority Entrepreneurship in the Non-Profit Arts Sector

Pages 287-300 | Published online: 21 Feb 2018
 

ABSTRACT

Throughout most of the entrepreneurship research literature, the entrepreneur is generally identified as a native-born White male who undertakes either self-employment or firm creation in Western developed countries. In addition, most of the literature frames these entrepreneurial actions as for-profit activities. Perhaps due in part to such prevailing frames, we know little about minority entrepreneurship, let alone as it occurs within the non-profit arts sector. To aid the field in new understandings, I review the minority entrepreneurship literature, identify minority entrepreneurship strategies, make connections to the non-profit arts sector, and propose new directions for theory development in the field.

Notes

3. Foreigners who, as recent arrivals in a host country, start businesses as a means of economic survival.

4. This term is problematic for organizational classification, as it excludes White as a color, normalizes and standardizes arts organizations as White-led, and marginalizes all arts organizations led by a majority of non-White arts administrators into one homogenous group.

5. This term is problematic for classification, as it excludes White as a color, standardizes the artist as White, and marginalizes all non-White artists into one homogenous group.

6. i.e. the most popular pieces by artists of color (non-White) that feature the most famous performers and directors of color (non-White).

7. For an example useful for critical thinking and reflection, see http://www.latimes.com/entertainment/la-et-oscars-so-white-reaction-htmlstory.html

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