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Abstract
This work investigates dynamics of political parody through a framing analysis of Saturday Night Live sketches that spoof former Governor Sarah Palin. It is posited that parodies of political figures can be fruitfully understood as reflecting, refracting, and creating political realities, as suggested by the identification of 4 dominant frames in Saturday Night Live sketches. Furthermore, the author argues that the framing approach can serve as a point of convergence for contrasting epistemological approaches to political humor research.
Acknowledgments
The author would like to thank R. Lance Holbert, Matt Carlson, Dan Kozlowski, and the anonymous reviewers for their valuable contributions to the article.