Acknowledgements
This paper is adapted from and based on the research carried out for my MA dissertation at UCL Institute of Archaeology, London, UK, under the supervision of Dr Colin Sterling, whom I thank for his guidance.
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Notes on contributors
Flavia Palermo
Flavia Palermo is a self-taught artist and freelance researcher interested in the interrelationships between environment, culture and creativity. She holds an MA in Cultural Heritage Studies from the Institute of Archaeology, University College London. She has previously carried out fieldwork in Italy and the UK on the ethnolinguistic practices of contemporary Pagans and Witches, focusing in particular on writing practices and their relationship with surrounding environments.