The P6 Group and critical landscape photography in Israel

Click to increase image sizeClick to decrease image size

Notes

 1 See Maor, Marked Landscapes.

 2 Rosen, “The Abused Landscape,” 23.

 3 Raz “Only What His Eye Took In,” 41.

 4 Rosen, “The Abused Landscape,” 24.

 5 Sela, “Emptied Walls and Constructed Landscapes.”

 6 On urbanization in Israel as it is reflected in the works of local photographers, see also Zeevi, Marah ironit.

 7 On this body of work, see also Haikin, Igael Shemtov, 206–9.

 8 Haikin, “A General Look at Repressed Landscape,” 37.

 9 Ben-Dov, “Earthly Jerusalem,” 34.

10 The body of work represents a continuation of Orit Siman-Tov's occupation with archaeological sites and with the burden created by the past when it imposes itself on the present. See Maimon, “Merhav mehiyah.”