Disturbing Spaces (Systems, Operations and Disorders)

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Notes

¹ Carroll's tale first appeared in the manuscript of Alice's Adventures in Wonderland, c.1864 and Mallarmé's poem as a double page spread in the periodical Cosmopolis, no.17, London, 1897. For a substantial effort to systematize visual design, see Gunther Kress and Theo van Leeuwen, Reading Images: The Grammar of Visual Design, 2nd edn (London: Routledge, 2006).

² Johanna Drucker, ‘Entity to Event: From Literal, Mechanistic Materiality to Probabilistic Materiality’, this volume, pp.7-17.

³ Stephen Barker, ‘Subjectile Vision: Drawing On and Through Artaud’, this volume, pp.18-32.

⁴ Yve Lomax, ‘To Not Happen’, this volume, pp.33-44.

⁵ Jonathan Lahey Dronsfield, ‘Before the Camera’, this volume, pp.94-106.

⁶ Mark Dorrian, ‘The Aerial Image: Vertigo, Transparency and Miniaturization’, this volume, pp.83-93.

⁷ Brian Rotman, ‘Gesture and the “I” Fold’, this volume, pp.68-82 (p.69). Quotation marks in the original.

⁸ Amelia Jones, ‘Performing the Wounded Body: Pain, Affect and the Radical Relationality of Meaning’, this volume, pp.45-67.

⁹ After Ludwig Wittgenstein's response to the logico-linguistic dichotomy by looking for meaning in use; see his Philosophical Investigations [1958], trans. G.E. Anscombe (Oxford: Blackwell, 2001), §43.

¹⁰ See Daniel Blochwitz, throughout this volume.

¹¹ Boris Groys, ‘The Time of Signs’, trans. Carten Strathausen, this volume, pp.107-15. This text forms the penultimate chapter of Groys' Under Suspicion: A Phenomenology of the Media [2000] forthcoming in English by the Columbia University Press, 2010.