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Notes
1 Jones, “‘Presence’ in absentia,” 11–18.
2 Jones, “Archive, Repertoire, and Embodied Histories.”
3 Jones, “‘The Artist is Present’,” 16–45.
4 Jones and Heathfield, eds. Perform, Repeat, Record.
5 Ibid., 12-19.
6 Ibid.
7 Derrida, The Truth in Painting.
Additional information
Notes on contributors
Amelia Jones
Amelia Jones is Robert A. Day Professor, Roski School of Art & Design, USC, and is a curator and scholar of contmporary art, performance, and feminist/sexuality studies. Recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012); co-edited with Erin Silver, Otherwise: Imagining Queer Feminist Art Histories (2016); and the edited special issue “On Trans/Performance” of Performance Research (2016). Jones is currently working on a retrospective of the work of Ron Athey and a book tentatively entitled A Critical Genealogy of Queer Performance. Email: [email protected]