Chgouri music and third-generation Israeli-Moroccan Jews

ABSTRACT

Using a sociocultural analytical approach, this article investigates the historical background, evolution, and contemporary relevance of Chgouri music for third-generation Moroccan Jews living in Israel. By examining the interplay between music, identity, and societal position, the article seeks to shed light on the multifaceted impact of Chgouri on the community’s cultural landscape and broader social dynamics. This investigation exposes the intricate intersections of Chgouri within the community's cultural narrative, offering a scholarly examination of its resonances. Through meticulous analysis, the study discerns the nuanced harmonies that reverberate in the cultural tapestry, providing an academic lens into the profound heritage and socio-cultural implications for third-generation Moroccan Jews in israel.

KEYWORDS:

• Chgouri music
• Morocco
• Israel
• third-generation Moroccan Jews
• musical practice
• social status
• identity
• cultural heritage

Disclosure statement

No potential conflict of interest was reported by the author(s).

Acknowledgments

I extend my heartfelt appreciation to Professor Hakima Laala, Professor of Sociology at Hassan II University in Casablanca, Faculty of Arts and Humanities, Mohammadia, for her invaluable guidance and unwavering support throughout the entirety of this project. Her expertise and insights have been instrumental in shaping the direction and content of this work.

Notes

1. Boum, Memories of Absence.

2. The Moroccan Jewish writer Carlos de Nesry published his book Les Israélites marocains à l’heure du choix in 1958, when Moroccan Jews were confronted with the choice whether to stay and contribute to the building of the new nation or to leave. He succinctly stated the question at the heart of many Jews ‘We speak a lot now about patriotism. Is it again a patriotism “of the moment”? A nation is a soul, as Renan said. Do Moroccan Jews have the Moroccan soul?’ Nesry, Les Israélites marocains à l’heure du choix29.

3. Chetrit, “Music and Poetry.”

4. Faudree, “Music.”

5. Calderwood, Colonial al-Andalus.

Additional information

Notes on contributors

Mohammed Elaloui

Mohammed Elaloui is a PhD researcher in sociology of art and music, Hassan II University, Casablanca.