ABSTRACT
Craft industries are an increasingly significant component of economic and social life in many Asian countries. However, their unique forms are not well documented. Future development may be harmed by importing concepts from western creative industries, which exhibit different histories and spatial dynamics. Unlike western urban craft industries, South and East Asian craft industries assume a distinct morphological pattern of ‘craft ribbon development’ in peri-urban areas. This article examines the spatial attributes of craft ribbon development in three craft industries in Sri Lanka- Pilimathalawa Brass, Molagoda Pottery, and Wewaldeniya Cane industry. We frame craft ribbon development in three historical phases associated with the country's distinct socio-economic changes. Surveys and semi-structured interviews were carried out to trace the changes in land uses and building typologies. Each case shows significant visual morphological transformation with the surrounding area, and that land-use change was accelerated subsequent to the introduction of market-oriented reform policies.
Acknowledgement
The authors would like to acknowledge the financial support for this research given by SRC /LT/2019/19 grant of the University of Moratuwa approved by the Senate Research Committee, Sri Lanka in 2019.The Authors acknowledge the voluntary participation of interviewees in the study. Lastly, we thank the research team from the Department of Town and Country Planning, University of Moratuwa for assisting with the field research.
Disclosure statement
No potential conflict of interest was reported by the author(s).
Correction Statement
This article has been republished with minor changes. These changes do not impact the academic content of the article.