Disability: creative tensions between drama, theatre and disability arts

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Acknowledgements

The Research in Drama Education symposium at the Central School of Speech and Drama produced the starting point for this themed edition, and I would like to thank all participants for their contribution: Lucy Burke, Dave Calvert, Peter John Cooper, Kathy Dacre, Jennifer Goddard, Matt Hargrave, Tony Horitz, Fran Leighton, Nick Llewelyn, Sally Mackey, Helen Nicholson, Jay Pecora, Susan Quick, Liselle Terrett and Roger Wooster. I am also grateful to Lisa Smith and Joe Winston. Lucy Nevitt's advice and help was invaluable throughout the process, and I thank her very much for her generosity and her encyclopaedic knowledge of Chicago Author-Date.

Notes

1. Allan Sutherland's Chronology of Disability Arts is a valuable resource. It is available at http://www.disabilityarts.info/ndaf_archives/old/chronology/chron_index.html.

2. The British Council of Organisations of Disabled People was the national umbrella organisation of organisations that are run and controlled by disabled people. The organisation has become the United Kingdom Disabled People's Council (UKDPC).