The legacy of Derrick Bell and Latino/a education: a critical race testimonio

Abstract

In this article, we trace Bell’s influence in our lives from graduate students to teacher educators and engaged scholars, and note how we have always read Bell alongside and inseparable from Latino/a Studies and Latina/Chicana feminist thought. We highlight the powerful and fruitful tensions of these interconnections in addressing our curricular struggles and innovations, professional identities and scholarly trajectories. We address Bell’s theory of interest convergence to discuss the tensions and possibilities of personal ‘success’ in the academy by interweaving our testimonios with Critical Race and Latino Critical Race (LatCrit) scholarship in Latino/a education. Latina feminist scholars have re-worked the Latin American tradition of testimonio as a way to link individual stories to a collective story of Latina/o racialization in the US, and to epistemological racism in the academy. Our collective story centers the intersections of race with indigeneity, class, citizenship, language, gender and sexuality. We begin from the earliest influence of Bell’s counterstorytelling method for examining Latino/a students’ racializing experiences in higher education and move through other critical race work in Latino education that both directly and indirectly addresses Bell’s scholarship as these intersect with our intellectual journeys. Finally, we offer a story of the complex legacy of Bell’s anti-subordination and social justice scholarship for intellectual alliances, coalition building, and inter-, multi- and trans-disciplinary engaged scholarship.

Keywords:

• testimonio
• Critical Race Theory
• Latina/o Critical Theory

Notes

1. We will italicize and translate words in Spanish at first use only. Thereafter, guided by Gloria Anzaldúa’s example, we will write words in Spanish into our work alongside the English without translation. We feel strongly that this is an affirmation of our linguistic practices and our resistance to constantly have to cater to a monolingual Anglophone audience.