Instagram abroad: performance, consumption and colonial narrative in tourism

ABSTRACT

As a form of travel writing and a highly favoured marketing tool, Instagram provides a blueprint of the ideologies underpinning contemporary tourism. This article argues that consistent visual motifs on Instagram echo a colonial iconography that sees tourist destinations as available for possession and consumption, effacing local place and identity. The reproduction of three motifs – the tropical exotic, the promontory gaze and fantasised assimilation – mediatises ideations that, rather than depicting these destinations as contemporaneous spaces in which a tourist is a guest, depict them as ‘other’ realms for the tourist’s taking. Local residents, when pictured, are configured as genericised icons of exoticism that serve to imbue the tourist’s experience with authenticity. These visual tropes, paired with textual captions and hashtags, present tourists as the rightful occupants and users of local spaces in a way that echoes the colonial seizure of foreign lands, an action that is imaginatively performed as tourists enact these three motifs in Instagram posts. Taken together, the visual regime witnessed and performed on Instagram contributes to the imagined and real perpetuation of unequal power relations in global tourism, which continue to privilege wealthy tourists over local residents.

KEYWORDS:

• Tourism
• travel writing
• Instagram
• colonialism

Disclosure statement

No potential conflict of interest was reported by the author.

Notes on contributor

Sean P. Smith is a PhD student at the University of Hong Kong. He holds an MA from the University of Cape Town and a BA from Tufts University.

Notes

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