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ARTICLES

SYMBOLIC PRODUCTION, REPRESENTATION, AND CONTESTED IDENTITIES

Anti-war activism online

Pages 969-993 | Published online: 22 Oct 2009
 

Abstract

The increased flexibility facilitated by Information and Communication Technologies has enabled anti-war activists to garner great control over representations of their arguments. This paper explores the value of the symbolic dimension of collective action through three cumulative forms of analysis: understanding how the symbolic domain is used; explaining the strategic choices behind this use; and, finally, linking these representational choices to the subjective experience of the individual and their processes of political identity construction. Many groups lacked a coherent online strategy. The reasons for this are threefold. First, use reflects the organizational structure and ideological principles of the groups. Second, by emphasizing diversity and inclusion most groups wanted their online material to be as accessible as possible and as a result censored anything too opinionated or deemed too radical. Third, there was an enduring emphasis upon local place and face-to-face communication. This made groups' online interventions lack coherence because they were often aiming their representations at particular populations. In a study of Muslim anti-war activism the relationship between these representational choices and the processes of identity construction were explored. Muslim activists sought support by asserting a collective religious commonality and by aligning with sympathetic others to counter stereotypes of Muslims as terrorists. This re-ignited a historical tension as to the place of religion within anti-war activism. Consequently, Muslims struggled to articulate their claim to multiple identities, and online representations limited those who attempted to develop overt and complicated new religious political identities.

Notes

Weapons of mass destruction (WMD).

Although this paper is focusing on the use of ICTs we need to understand the broad picture of representation, thus a range of material produced by groups is included in the analysis because while hardcopy productions continue, their use has been reshaped by ICTs.

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