Notes
1. Referendum Council, ‘Uluru Statement from the Heart’ (May 26, 2017), https://www.referendumcouncil.org.au/event/uluru-statement-from-the-heart (accessed June 2, 2017).
2. Ibid.
3. Megan Palin, ‘New generations of Australian families suffering deformities and early deaths because of genetic transfer’, March 10, 2016, http://www.news.com.au/lifestyle/health/health-problems/new-generations-of-australian-families-suffering-deformities-and-early-deaths-because-of-genetic-transfer/news-story/5a74b7eab2f433402aa00bc2fcbcbea4 (accessed March 2, 2018).
4. Tina Baum, ‘More than our skin’, in Defying Empire: 3rd National Indigenous Art Triennial (Canberra: National Gallery of Australia, 2017), 11–9.
5. Stephen Gilchrist, ‘Indigenising Curatorial Practice’, in The World is not a Foreign Land, eds Joanne Bosse and Quentin Sprague (Melbourne: The Ian Potter Museum of Art, The University of Melbourne, 2013), 55.
6. See: Paola Balla and Max Delany, eds Sovereignty (Melbourne: Australian Centre for Contemporary Art), December 17, 2016–March 26, 2017; Nici Cumpston, Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art (Adelaide: Art Gallery of South Australia), September 12, 2015–January 10, 2016; Blair French et al., The National 2017: New Australian Art (Sydney: Art Gallery of New South Wales, Carriageworks, Museum of Contemporary Art), March 30, 2017–July 16, 2017.
7. Sasha Grishin, ‘Defying Empire, 3rd National Indigenous Art Triennial’, The Sydney Morning Herald, June 9, 2017, http://www.smh.com.au/entertainment/art-and-design/defying-empire-3rd-national-indigenous-art-triennial-20170606-gwlkgb.html (accessed June 10, 2017).
8. See, for example, British Council, ‘Marram-nganjinu Biik-gurrin (We are Country) Announced’, March 22, 2017, https://www.britishcouncil.org.au/about/press/marram-nganjinu-biik-gurrin-%E2%80%93-we-are-country (accessed June 10, 2017).
9. Baum, ‘More than our skin’, 19.