UnAustralian Art: Ten Essays on Transnational Art History

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Notes

1 Rex Butler, ed., What is Appropriation? An Anthology of Critical Writings on Australian Art in the ‘80s and ‘90s (Sydney: Power Publications and Institute of Modern Art, 1996); Rex Butler, ed., Radical Revisionism: An Anthology of Writings on Australian Art (Brisbane: Institute of Modern Art, 2005).

2 Ian McLean, Double Nation: A History of Australian Art (London: Reaktion Books, 2023), 10.

3 Rex Butler and ADS Donaldson, UnAustralian Art: Ten Essays on Transnational Art History (Sydney: Power Publications, 2022), 25.

4 Ibid., 130.

5 See Janine Burke, Australian Women Artists: 1840–1940 (Richmond: Greenhouse Publications, 1980); Ann Galbally, A Remarkable Friendship: Vincent van Gogh and John Peter Russell (Carlton: Miegunyah Press/Melbourne University Publishing, 2008); Elena Taylor, Australian Impressionists in France (Melbourne: National Gallery of Victoria, 2013); and Anne Gérard-Austin, ‘The Greatest Voyage: Australian Painters in Paris Salons, 1885–1939’ (PhD thesis, University of Sydney, 2014).

6 See Bernard Smith, Australian Painting, 1788–1970 (Melbourne: Oxford University Press, 1971), first published in 1962; Robert Hughes, The Art of Australia (Harmondsworth: Penguin, 1970); Andrew Sayers, Australian Art (Oxford: Oxford University Press, 2001); and John McDonald, The Art of Australia, vol.1, Exploration to Federation (Sydney: Pan Macmillan, 2008).