Notes
1 Rudolf Wittkower, ‘Inigo Jones: Puritanissimo Fiero’, Burlington Magazine 90 (1948), pp. 50-51. For the ‘del Sarto’, now Puligo and the ‘Giulio’, now ‘North Italian’, see John Shearman, The Early Italian Pictures in the Collection of Her Majesty the Queen (Cambridge, 1983), pp.164-5, cat. 162-3, fig. 142-3.
2 Kevin Sharpe, Image Wars Promoting Kings and Commonwealths in England, 1603–1660 (London and New Haven, 2010).
3 The National Archives (London), SP80/7, fol. 172.
4 Calendar of State Papers Domestic: Charles I (1629–1631), vol.163, pp. 217-18: 28 March 1630.
5 For the painting, see Oliver Miller, The Tudor Stuart and Early Georgian Pictures in the Collection of Her Majesty the Queen (London, 1963), cat.125, p. 88, fig. 50. For Hudson’s gifts see Erin Griffey, On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court (London and New Haven, 2015), p. 80.
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David Jaffe
David Jaffe has held multiple curatorial positions at major international galleries and museums including the Australian National Gallery (Canberra), the J. Paul Getty Museum (Los Angeles) and the National Gallery (London). He has published widely on Italian and Flemish artists from the Renaissance and Baroque periods such as Perino del Vaga, Daniele da Volterra, Titian and Rubens.