Abstract
In bimanual movements the amplitude of each hand's movement often depends on the concurrent amplitude of the other hand's movement such that both amplitudes become similar (amplitude coupling). We tested the hypothesis that the strength of amplitude coupling depends on the tempo of performance of a movement sequence, a hypothesis based on a model of bimanual coordination that holds that cross-talk occurs at the execution level as well as at the programming level. Subjects performed bimanual periodic arm movements on two digitizers. In nine conditions constant small, constant large, and alternating small and large amplitudes of each arm were orthogonally combined. Overall tempo was varied by instructing subjects to increase the tempo progressively by 10%. Clear tempo-dependent modulations of the amplitude were observed in movements with instructed constant amplitude when the other hand performed alternating amplitudes. The effect of the size of constant-amplitude movements on the mean amplitude of the other hand indicated cross-talk at the execution level. Cross-talk at the programming level was revealed by the dependence of the current amplitude on the change in the amplitude of the other hand in the preceding cycle. Finally, asymmetric cross-manual effects were observed.
