Abstract
This essay explores the numerous and diverse ways collaborative practices in dance research can unfold. Strengths and challenges within the collaborative process are discussed as emphasis is given to the multiple perspectives and types of relationships that evolve from and within the process. These core elements offer scholars a rich array of choices that can enhance research endeavors as well as inform pedagogical practices. Unpacking collaboration in this manner carries particular relevance in a world that is as global as it is fragmented, underscoring the need to understand collaboration not as a specific research methodology but as a dynamic process. Examples in dance science, choreography, dance education, and pedagogy are considered to illustrate the possibilities collaboration holds for future research queries.
Notes
1. Two relatively recent examples can be found in the scholarship of Tomko (Citation1999) and Burt (Citation1998). Tomko looks at American dance history at the turn of the twentieth century through a multiple lens of social reform, class structure, and immigration. Burt (Citation1998) blurs previously accepted boundaries in his examination of race, gender, and nationalistic identities within early modern dance.
2. For example, a statistical analysis of co- and multi-authored research published in RIDE in the past 10 years revealed the following: 2005–2009: 24.0%; 2010–2014: 44.2%. This represents a 20% increase in collaborative-based research.
3. See Fortin and Siedentop (Citation1995), Fortin (Citation1995, Citation2002), Fortin, Lord, and Long (Citation2002), Fortin and Girard (Citation2005), Fortin, Cyr, and Tremblay (Citation2005), and Rip, Fortin, and Vallerand (Citation2006).
Tomko, L. J. 1999. Dancing Class – Gender, Ethnicity, and Social Divides in American Dance, 1890–1920. Bloomington: Indiana University Press. Burt, R. 1998. Alien Bodies. London: Routledge. Burt, R. 1998. Alien Bodies. London: Routledge. Fortin, S., and D. Siedentop. 1995. “The Interplay of Knowledge and Practice in Dance Teaching: What Can We Learn from a Non-traditional Dance Teacher.” Dance Research Journal 27 (2): 3–15.10.2307/1478017
Fortin, S. 1995. “Toward a New Generation: Somatic Dance Education in Academia.” Impulse 3 (4): 253–262. Fortin, S. 2002. “Living in Movement: Development of Somatic Practices in Different Cultures.” Journal of Dance Education 2 (4): 128–136.10.1080/15290824.2002.10387221
Fortin, S., W. Long, and M. Lord. 2002. “Three Voices: Researching How Somatic Education Informs Contemporary Dance Technique Classes.” Research in Dance Education 3 (2): 155–179.10.1080/1464789022000034712
Fortin, S., and F. Girard. 2005. “Dancers’ Application of the Alexander Technique.” Journal of Dance Education 5 (4): 125–131.10.1080/15290824.2005.10387301
Fortin, S., C. Cyr, and M. Tremblay. 2005. “The Act of Listening to the Art of Giving Voice: Creative Alternative Practices in Writing About Health in Dance.” Dance Research Journal 37 (2): 11–24. Rip, B., S. Fortin, and R. J. Vallerand. 2006. “The Relationship Between Passion and Injury in Dance Students.” Journal of Medicine and Science 10 (1–2): 1–2. Craft, A., K. Chappell, and P. Twining. 2008. “Learners Reconceptualising Education: Widening Participation Through Creative Engagement?” Innovations in Education and Teaching International 45 (3): 235–245.10.1080/14703290802176089
Chappell, K., A. Craft, L. Rolfe, and V. Jobbins. 2009. “Dance Partners for Creativity: Choreographing Space for Co‐Participative Research into Creativity and Partnership in Dance Education.” Research in Dance Education 10 (3): 177–197.10.1080/14647890903324147
Chappell, K., A. R. Craft, L. Rolfe, and V. Jobbins. 2012. “Humanizing Creativity: Valuing Our Journeys of Becoming.” International Journal of Education & the Arts 13 (8). Accessed December 22, 2012 from http://www.ijea.org/v13n8/. Chappell, K., L. Rolfe, A. Craft, and V. Jobbins. 2011. Close Encounters: Dance Partners for Creativity. Stoke on Trent: Trentham Books. Chappell, K., and A. Craft. 2011. “Creative Learning Conversations: Producing Living Dialogic Spaces.” Educational Research 53 (3): 363–385.10.1080/00131881.2011.598663
Craft, A., K. Chappell, L. Rolfe, and V. Jobbins. 2012. “Reflective Creative Partnerships as ‘Meddling in the Middle’: Developing Practice.” Reflective Practice 13 (4): 579–595.10.1080/14623943.2012.670624