http://orcid.org/0000-0002-4697-9205
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ABSTRACT
Since the scientific discoveries to capture what lies beyond on the far side of our visible range and beyond the surfaces, the possibilities for photography in an artistic context have expanded constantly. With the insight into artistic research in the field of scientific imaging technologies, in particular thermography, the author proposes a new visual genre beyond the visible spectrum. To elucidate the claims, the author describes her artistic research in depth, discussing different stages of development and creative decisions.
Disclosure statement
No potential conflict of interest was reported by the authors.
Notes on contributor
Elke Reinhuber is an assistant professor at Nanyang University in Singapore since July 2014. In 2013, she was awarded a practice-based doctorate degree in media arts from COFA, Sydney. In her dissertation, she proposed the term ‘Counterfactualism’ as a new category for the arts and humanities which deals with the retrospective analysis of turning points in life. She received her initial professional training as an industrial photographer. She studied in Berlin, at the Berlin University of the Arts (UDK), as well as in London (Chelsea College), Bologna (Accademia di Belle Arti) and Sydney (SCA) before teaching at the Braunschweig University of the Arts (HBK) and establishing the department for Media Design at the German University in Cairo (GUC). Her artwork has been presented in a number of international institutions.
ORCID
Elke E. Reinhuber http://orcid.org/0000-0002-4697-9205
Notes
1 Felix Mittelberger, Susan Funk, (Sonar), Lisa Bergmann (Automatic Milking; Operative Cartography), Christoph Oeschger (Virtopsie), Henning Arneke (Gloria) and [The Author] (Decisions with 3 Tesla).