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Corrigendum

Corrigendum

This article refers to:
Critical closeness, intimate distance: encounters in the Love Art Laboratory

Cairns, Jon (2017). Critical Closeness, Intimate Distance: Encounters in the Love Art Laboratory. Journal of Visual Art Practice, 16(03), pp. 240-259.

http://dx.doi.org/10.1080/14702029.2017.1381509

  • Page 244 – Where the text reads ‘Cuddle (Figure 1), first performed at the Femina Potens Gallery in San Francisco’, Figure 1 should be listed as Figure 2.

  • Page 245 – Where the text reads ‘Back on the stage of EXPOSED (Figure 2), after the stories of Sprinkle and Stephens’ respective trajectories’, Figure 2 should be listed as Figure 3.

  • Page 248 – Where the text reads ‘ … the Green Wedding to the Earth in the redwood trees at Shakespeare’s Glen in Santa Cruz, California, where he gave a sermon in English, in Spanish and in tongues (Figure 3)’, Figure 3 should be listed as Figure 4.

  • Page 253 – Where the text reads ‘They ended up sitting naked on the dirt, before rolling around in mysophilic ecstasy (Figure 4), Figure 4 should be listed as Figure 5.

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