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Original Articles

Introduction

Pages 1-6 | Published online: 27 Nov 2012
 

Notes

1Antonio Machado, Hora de España, quoted in James Whiston, Antonio Machado's Writings and the Spanish Civil War (Liverpool: Liverpool U. P., 1996), 134.

2In handling the memories of that era, the editors have grouped the contributions under the three general headings of ‘Cinema’, ‘Literature’ and ‘History’, each one an important medium of recollection in its own right. Where thematically appropriate, the division is blurred in this Introduction.

3Émile Témime, ‘De l'exil à la mort: le désespoir d'Azaña’, Arkheia. Revue d'Histoire, 19 (2007), 25–29 (p. 25).

4Paul Ricoeur remarks that ‘[w]e must distinguish between the retrospective gaze that we are casting now […] and the perspective of the people who found themselves in the situation’ (see Paul Ricoeur and Sorin Antohi, ‘Memory, History, Forgiveness: A Dialogue between Paul Ricoeur and Sorin Antohi’ [2003], 10, <www.janushead.org/8-1/ricoeur.pdf>).

5Ronald Fraser, Blood of Spain (New York: Pantheon Books, 1979), 458.

6José Machado, The Final Solitude of the Poet Antonio Machado (Memoirs of His Brother, José), trans. Armand F. Baker, <http://armandfbaker.com/biography_toc.html>.

7 Los años difíciles, ed. Carlos Elordi (Madrid: Suma de Letras, 2003), 240.

8The title of Isaac Rosa's 2007 novel ¡Otra maldita historia sobre la guerra civil! reflects this resurgence of interest.

9Angela Jackson, British Women and the Spanish Civil War (London/New York: Routledge, 2002), 153.

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