Publication Cover
Bulletin of Spanish Studies
Hispanic Studies and Researches on Spain, Portugal and Latin America
Volume 92, 2015 - Issue 7: Mito e identidad en el México contemporáneo
308
Views
0
CrossRef citations to date
0
Altmetric
Miscellany

Annual Index Volume XCII (2015)Footnote*

ARTICLES

ALAMILLOS ÁLVAREZ, ROCÍO, Magia e Inquisición en el siglo XVIII: prácticas y espacios [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 811–29.

ANDERSON, ANDREW A., Necessary Sacrifices: From Romanticism to Naturalism in Galdós’ Marianela, 907–29.

BIGGANE, JULIA, Loyal Subjects: Gender, Fidelity and the Post-Franco Falangist Memoir [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 511–23.

BUENDÍA, MARITZA M., Buscadores de absolutos: Borges–García Ponce, Onetti–Arredondo [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1161–75.

BYRNE, CERI, The Publications, Professional Appointments and Related Activities (1968–2015) of Ann L. Mackenzie [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 27–64.

CARDWELL, RICHARD A., San Juan de la Cruz’s ‘La noche oscura’ and Symbolism: A Critical Reading [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 125–46.

COLAHAN, CLARK, Cervantes’ ‘Captive’s Tale’ in English and American Literature from Massinger to Tyler, 879–905.

COLOMINA-GARRIGÓS, LOLA, La espectacularización de lo real en Realidad de Sergio Bizzio, 269–83.

CRUICKSHANK, DON W., Two Alleged Calderón-Moreto Collaborations [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 311–31.

CRUICKSHANK, DON W. & DIXON, VICTOR, with LONGHURST, C. ALEX, Introduction: Ann L. Mackenzie, Scholar and Editor [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 3–25.

DEACON, PHILIP, Las revisiones de Moratín al texto de El sí de las niñas [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 369–86.

DÍEZ BORQUE, JOSÉ MARÍA, Libros de teatro en bibliotecas particulares del Siglo de Oro español: de la representación a la lectura [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 167–88.

DIXON, VICTOR, El castigo sin venganza: The Character, Role and Function of Batín [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 243–53.

DIXON, VICTOR, see also Cruickshank, Don W.

DOLL, EILEEN J., El trauma del Otro: Once voces contra la barbarie del 11-M, 255–67.

ESTRADA, OSWALDO, Versos que violentan historias: Daniel Sada y el corrido de Rosita Alvírez [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1129–43.

EVANS, JO, Introduction [to Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 325–30.

EVANS, JO, Postscript: ‘la travesía del desierto’ [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 481–87.

EVANS, JO, Visual British Hispanism and the Puerto del Rosario ‘parque escultórico’ [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 453–79.

FAULKNER, SALLY, Cinephilia and the Unrepresentable in Miguel Gomes’ Tabu (2012) [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 341–60.

FRAILE, TERESA & VIÑUELA, EDUARDO, ‘Cantos de ida y vuelta’: discursos sobre la inmigración en la música del cine español del cambio de siglo, 951–63.

GALÁN, CARMEN F. & LIZARDO, GONZALO, Tres laberintos mexicanos (reescrituras del barroco) [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1093–1111.

GALÁN, CARMEN F., see also Gardner, Nathanial.

GARCÍA GUTIÉRREZ, ROSA, Xavier Villaurrutia, crítico de la literatura Mexicana, 965–89.

GARCÍA JURADO, FRANCISCO, Borges y los inicios de la seducción virgiliana. Una hermenéutica de la nostalgia, 991–1011.

GARDNER, NATHANIAL & GALÁN, CARMEN F., Introducción [to Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1047–49.

GARDNER, NATHANIAL & MARTÍN RUANO, M. ROSARIO, Reescritura y paratextualidad en La noche de Tlatelolco: la imagen visual en la traducción y la reedición como elemento neutralizador del realismo mágico [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1079–91.

GIES, DAVID T., Gustos and gastos: Anxiety, Economy, Nation and the Theatre in Nineteenth-Century Spain [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 387–410.

GÓMEZ, MICHAEL A., Freedom and the Soul within the Mechano-Materialist System: The Bergsonian Presence in Pardo Bazán’s Naturalistic Fictions, 207–33.

GONZÁLEZ SÁNCHEZ, CARLOS ALBERTO, Inquisición y control ideológico en la Carrera de Indias de la Ilustración (1750–1830) [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 855–77.

GOODWIN, R. T. C., ‘Yo quisiera esto más claro, e más larga claridad en ello’. Reconstruction: Historiographical Misrepresentations of Africans and Native Americans, and the Law, 179–206.

GRACE, CARMEN M., Exequias reales en la Contrarreforma: doctrina católica y Barroco en el sermón funeral de fray Alonso de Cabrera (1549?–1598) por la muerte de Felipe II, 25–49.

GRIFFIN, CLIVE, Volando sobre Manila: brujería, hechicería, odio y avaricia en la colonia española de las islas Filipinas a finales del siglo XVI [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 699–723.

GUTIÉRREZ-ALBILLA, JULIÁN DANIEL, Rethinking Spanish Visual Cultural Studies through an ‘Untimely’ Encounter with the Dance/Performance Art of La Ribot [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 361–90.

HART, STEPHEN M., The ‘Event’ of Nationalism [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1113–27.

HART, STEPHEN M., Hispanism’s Digital Turn [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 439–51.

INFANTE, ULISSES, Antonio Candido lê Murilo Mendes, 591–600.

JANIN, ERICA, Vergüenza, expansión territorial y legitimación regia en el Poema de Alfonso Onceno: antecedentes y aportes literarios, 489–506.

JURADO, IVÁN, Las injurias cotidianas: identidades e individuos en el siglo XVI [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 677–97.

KEBADZE, NINO, Censorship and Sense-Making in Elena Soriano’s Trilogy Mujer y hombre, 65­–89.

LENNON, PAUL JOSEPH, ‘las partes donde Amor el cetro tiene’: Uncanonical Love in Francisco de Aldana's ‘Medoro y Angélica’, 507–25.

LIZARDO, GONZALO, see Galán, Carmen F.

LOBATO, MARÍA LUISA, Escribir entre amigos: hacia una morfología de la escritura dramática moretiana en colaboración [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 333–46.

LONGHURST, C. ALEX, Don Fadrique’s Transgression and Don Álvaro’s Presumption: Moral Ontology in Lope and Calderón [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 255–73.

LONGHURST, C. ALEX, ‘¿Qué es eso de creer?’ Religious Belief in Miguel de Unamuno and Gabriel Marcel, 527–48.

LONGHURST, C. ALEX, see Cruickshank, Don W.

MARTÍN GIJÓN, MARIO, El poema en prosa como divinación autobiográfica en Luis Cernuda. De Ocnos a Variaciones sobre tema mexicano, 549–69.

MARTÍN ROMERO, JOSÉ JULIO, El origen de la nobleza según el Nobiliario vero de Hernán Mexía, 1­–23.

MARTÍN RUANO, M. ROSARIO, see Gardner, Nathanial.

MARTÍNEZ-QUIROGA, PILAR, Humor, feminismo y crítica social en la novela española contemporánea, 931–49.

MAZUELA-ANGUITA, ASCENSIÓN, ¿Bailes o aquelarres? Música, mujeres y brujería en documentos inquisitoriales del Renacimiento [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 725–46.

McCULLOCH, JOHN, Ideology and Aesthetics in Cernuda’s Un río, un Amor (1929) [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 469–92.

McDERMOTT, PATRICIA, ‘All the World’s a Stage’: El gran teatro del mundo in Production on the Spanish Stage and in Translation on the English Stage (1927–2013) [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 539–57.

MICHAEL, IAN, La imagen de Ruy Díaz en la historia y la leyenda [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 65–75.

MORENO, DORIS, Los jesuitas, la Inquisición y la frontera espiritual de 1559 [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 655–75.

NOBLE, ANDREA, History, Modernity and Atrocity in Mexican Visual Culture [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 391–21.

OLEZA, JOAN, Las comedias genealógicas de Lope y el linaje de los Castro [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 223–41.

PADDOCK, JOHN A. B., The Imagery of Fire, Water and Marriage in Saint Teresa of Ávila [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 91–124.

PAZ, MARIANO, Las leyes del deseo: sexualidad, anomia y nación en el cine de Carlos Reygadas [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1063–77.

PEÑA DÍAZ, MANUEL, La Inquisición y la memoria histórica de la revuelta catalana de 1640 [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 747–69.

PEÑA DÍAZ, MANUEL, Introducción [to Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 651–53.

PONIATOWSKA, ELENA, El retrato del viento: Manuel Álvarez Bravo [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1051–62.

PRESTON, PAUL, Great Statesman or Unscrupulous Opportunist? Anglo-Saxon Interpretations of Lluís Companys [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 493–509.

QUIJANO VELASCO, MÓNICA, El bandido como alegoría fallida de la identidad nacional: El luto humano de José Revueltas [in Mito e identidad en el México contemporáneo, ed. Nathanial Gardner], 1145–60.

RIBBANS, GEOFFREY, The Attitude to Women, and Women Poets, in Spanish Romantic Poetry [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 411–25.

RIBBANS, GEOFFREY, Translating Calderón: A Policy of Continuous Improvement [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 275–82.

RICO CALLADO, FRANCISCO LUIS, La Inquisición y las visionarias clarisas del siglo XVII: el caso de sor Luisa de la Ascensión [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 771–90.

RIMOLDI, LUCAS, La antología de literatura dramática. Características y manifestaciones en Argentina desde 1981 a la actualidad, 107–29.

ROBBINS, JEREMY, Baroque Stage Curtains: Space, Spectacle and the Monarch [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 347–67.

RODGERS, EAMONN, The Christ of Velázquez and the Christ of Unamuno, 51–63.

RODGERS, EAMONN, ‘Toda la tristeza de España’: The Tragic Sense of Life in Antonio Buero Vallejo’s Las Meninas [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 525–37.

RUANO DE LA HAZA, JOSÉ MARÍA, La publicación de los autos de Calderón (1655–1717) [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 283–309.

RUIZ ORTIZ, MARÍA, Al otro lado del confesionario: los pecados del clero en la España del Siglo de Oro [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 791–810.

SÁEZ, ADRIÁN J., De la privanza en Calderón: Los cabellos de Absalón y La hija del aire, 167–77.

SÁNCHEZ JIMÉNEZ, ANTONIO, Lautréamont en este mundo: el subtexto artístico de El reino de este mundo, 571–89.

SHADE VENEGAS, JESSICA, Beyond Civilization and Barbarism: Marital Spaces in Carlos Reyles’ Beba, 91–106.

SMITH, PAUL JULIAN, Notes on the Future (and Past) of Spanish and Latin-American Media Studies [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 331­–40.

SNOW, JOSEPH T., El ‘fablar fermoso’ de Juan Ruiz, y sus ecos en ‘La palabra dicha’ de Octavio Paz [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 77–90.

STONE, ROB, The Disintegration of Spanish Cinema [in Inaugural Hispanic Visual Studies Issue: Territories of the Visual, ed. Julia Biggane, Jo Evans & Núria Triana-Toribio], 423–38.

TORRES, ISABEL, ‘Pues tanto se esconde’: Elusion at (Inter)play in Ana Caro’s El conde Partinuplés [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 203–22.

VALIS, NOËL, Crisis, Religion and Turn-of-the-Century British and American Travel Writing on Spain [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 441–68.

VASSALLO, JAQUELINE, La persecución de las prácticas mágicas en la Córdoba colonial (siglo XVIII) [in Inquisición, cultura y vida cotidiana en el mundo hispánico (siglos XVI–XVIII), ed. Clive Griffin], 831–53.

VILLATE-ISAZA, ALBERTO, From ‘cuadro de costumbres’ to Nationalist Tool: The Case of El carnero in the Colombian Literary Canon, 235–54.

VIÑUELA, EDUARDO, see Fraile, Teresa.

WALTERS, D. GARETH, Some Observations on the Sonnet in Golden-Age Plays and Quevedo’s ‘Dramatic’ Sonnets [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 189–201.

WHISTON, JAMES, ‘Laid in Earth’: Physical Touches in Valera’s Pepita Jiménez [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 427–40.

WILLIAMSON, EDWIN, The Devil in Don Quixote [in Theatre, Culture and History in Spain: Studies and Researches in Honour of Ann L. Mackenzie, ed. James Whiston & Ceri Byrne, with guest editor Jeremy Robbins], 147–66.

MEMOIRS

John Joseph Macklin (1947–2014) (JOHN A. JONES), 601–05.

Robert Clive Willis (1934–2014) (HILARY OWEN), 131–34.

REVIEWS OF BOOKS

Agudo, Marta, see Rodríguez Fer, Claudio.

Alemán, Mateo, Guzmán de Alfarache, edición, estudio y notas de Luis Gómez Canseco (JANNINE MONTAUBAN), 287–88.

Almesto, Pedrarias de, Relación de lo que sucedió en la jornada que le fue encargada al gobernador Pedro de Orsúa, que se decía el Dorado y las muertes y daños que en ella hubo después qe los tiranos lo mataron al gobernador, edición de Álvaro Baraibar (ÓSCAR RIVERA-RODAS), 1022–23.

Anderson, Mark D., Disaster Writing: The Cultural Politics of Catastrophe in Latin America (VICTORIA CARPENTER), 644–45.

Archibald, David, The War That Won’t Die: The Spanish Civil War in Cinema (SAMUEL AMAGO), 297–99.

Arellano, Ignacio, El ingenio de Lope de Vega: escolios a las ‘Rimas humanas y divinas del licenciado Tomé de Burguillos’ (MARÍA ÁNGELES FERNÁNDEZ-CIFUENTES), 615–16.

Armona y Murga, José Antonio de, Noticias privadas de casa útiles para mis hijos, edición, introducción y notas de Joaquín Álvarez Barrientos, José María Imízcoz y Yolanda Aranburuzabala (REBECCA HAIDT), 1024–25.

Báez Rivera, Emilio Ricardo, Las palabras del silencio de santa Rosa de Lima o la poesía visual del Inefable (MARÍA ROSA ÁLVAREZ SELLERS), 307–08.

Baskes, Jeremy, Staying Afloat: Risk and Uncertainty in Spanish Atlantic World Trade, 1760–1820 (CARLA RAHN PHILLIPS), 1025–26.

Bastardín Candón, Teresa, Vocabulario indígena en la ‘Historia’ de fray Bernardino de Sahagún, editado por Juan Pedro Sánchez Méndez y M. Teresa Echenique Elizondo (Mª TERESA CÁCERES-LORENZO), 1039–40.

Beusterien, John, Canines in Cervantes and Velázquez: An Animal Studies Reading of Early Modern Spain (OLIVER NOBLE WOOD), 614–15.

Binotti, Lucia, Cultural Capital, Language and National Identity in Imperial Spain (RODRIGO CACHO CASAL), 612–14.

Blanco, Mercedes, Góngora o la invención de una lengua (TERENCE O’REILLY), 1023–24.

Blanco López de Lerma, María-José, Life-Writing in Carmen Martín Gaite’s ‘Cuadernos de todo’ and Her Novels of the 1990s (MARYELLEN BIEDER), 295–96.

Bulmer-Thomas, Victor, The Economic History of the Caribbean since the Napoleonic Wars (FRANKLIN W. KNIGHT), 314–16.

Cadalso, José de, Ocios de mi juventud, edición de Miguel Ángel Lama (CIARA O’HAGAN), 619–20.

Caistor, Nick, Fidel Castro (ANTONI KAPCIA), 313–14.

Canon y subversión: la obra narrativa de Rosalía de Castro, edición de Helena González Fernández y María do Cebreiro Rábade Villar (CATHERINE SUZANNE BARBOUR), 624–25.

Castillejo, Cristóbal de, Farsa de la Costanza, edición, introducción y notas de Blanca Periñán y Rogelio Reyes (AARON KAHN), 136–37.

Cedeño Rojas, Maribel, Saturno, melancolía y ‘El laberinto del fauno’ de Guillermo del Toro (GINA SHERRIFF), 162.

Cervantes, Miguel de, Entremeses, edición, estudio y notas de Alfredo Baras Escolá (MELANIE HENRY), 140–41.

Cien artículos de Azorín en ‘La Prensa’, edición y estudio introductorio de Verónica Zumárraga (LUIS T. GONZÁLEZ DEL VALLE), 1031–32.

A Companion to Pedro Almodóvar, edited by Marvin D’Lugo and Kathleen M. Vernon, (ANN DAVIES), 299–300.

A Companion to Spanish Cinema, edited by Jo Labanyi and Tatjana Pavlović (ANN DAVIES), 155–56.

Crónica de la población de Ávila, edición crítica, introducción y notas de Manuel Abeledo (MANUEL HIJANO VILLEGAS), 607–08.

Dadson, Trevor J. & Reed, Helen H., Epistolario e historia documental de Ana de Mendoza y de la Cerda, princesa de Éboli (JODI CAMPBELL), 611–12.

David, Marianne, see Muñoz-Basols, Javier.

Delicado, Francisco, La Lozana andaluza, edición, estudio y notas de Folke Gernert y Jacques Joset (LOUIS IMPERIALE), 610–11.

Díaz, Hernán, Borges, between History and Eternity (EVELYN FISHBURN), 641–42.

Dworkin, Steven N., A History of the Spanish Lexicon: A Linguistic Perspective (JOEL RINI), 285–86.

Ellis, Robert Richmond, They Need Nothing: Hispanic-Asian Encounters of the Colonial Period (CHRISTINA H. LEE), 303–04.

Espinosa-Maestre, Francisco, Shoot the Messenger? Spanish Democracy and the Crimes of Francoism from the Pact of Silence to the Trial of Baltasar Garzón (KATE FERRIS), 1033–34.

Estrada, Isabel M., El documental cinematográfico y televisivo contemporáneo: memoria, sujeto y formación de la identidad democrática española (H. ROSI SONG), 1035–36.

Fernández Biggs, Braulio, Calderón y Shakespeare: los personajes en ‘La cisma de Ingalaterra’ y ‘Henry VIII’ (HENRY SULLIVAN), 142–44.

Fernández-Cifuentes, María Ángeles, Tradición e innovación en las ‘Novelas a Marcia Leonarda’ de Lope de Vega (XAVIER TUBAU), 141–42.

Fernández Rodríguez, Manuel, see Rodríguez Fer, Claudio.

Foster, David William, Latin American Documentary Filmmaking: Major Works (CATHERINE LEEN), 1044–45.

Fraser, Benjamin, Disability Studies and Spanish Culture. Films, Novels, the Comic and the Public Exhibition (EDUARDO LEDESMA), 300–01.

Gant, Mark, The Spanish Writer and Publisher Carlos Frontaura (1834–1910): A Study of His Social Influence and Ideology, foreword by Eamonn Rodgers (RHIAN DAVIES), 1027–28.

García, Miguel Ángel, Melancolía vertebrada: la tristeza andaluza del modernismo a la vanguardia (JOHN McCULLOCH), 626–28.

Geisler, Eberhard, El dinero en la obra de Quevedo: la crisis de identidad en la sociedad feudal española a principios del siglo XVII, traducción de Elvira Gómez Hernández (VICTORIANO RONCERO LÓPEZ), 288–90.

Golden-Age Essays in Honour of Don W. Cruickshank, edited, with an introduction, by Martin Cunningham, Grace Magnier and Aengus Ward (DUNCAN WHEELER), 617–19.

González Hernández, María Jesús, Raymond Carr: The Curiosity of the Fox, translated by Nigel Griffin (ANDREW WALSH), 296–97.

Gonzalo de Berceo and the Latin ‘Miracles of the Virgin’: A Translation and a Study, edited by Patricia Timmons and Robert Boenig (ANDREW M. BERESFORD), 135–36.

Guerra, Lillian, Visions of Power in Cuba: Revolution, Redemption, and Resistance, 1959–1971 (ANTONI KAPCIA), 645–47.

Heroes and Anti-Heroes: A Celebration of the Cid, edited by Anthony J. Cárdenas-Rotunno (MATTHEW BAILEY), 1014–15.

Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference, edited by Parvati Nair and Julián Daniel Gutiérrez-Albilla (DIANE E. MARTING), 634–36.

How the Films of Pedro Almodóvar Draw Upon and Influence Spanish Society: Bilingual Essays on His Cinema, edited by María R. Matz and Carole Salmon, with a Preface by Brad Epps (MARVIN D’LUGO), 633–34.

Imágenes femeninas en la literatura española y las artes escénicas (siglos XX–XXI), editado por Francisca Vilches-de Frutos y Pilar Nieva-de la Paz (BEATRIZ CAAMAÑO ALEGRE), 156–57.

Imprenta y edición musical en España (ss. XVII–XX), editado por Begoña Lolo y José Carlos Gosálvez (TESS KNIGHTON), 620–24.

In the Wake of War. Democratization and Internal Armed Conflict in Latin America, edited by Cynthia J. Arnson (JENNY PEARCE), 165–66.

El inquiridor de maravillas: prodigios, curiosidades y secretos de la naturaleza en la España de Vincencio Juan de Lastanosa. Actas de la Conferencia Internacional ‘Lastanosa: arte y ciencia en el Barroco’ (Huesca, 29 de mayo a 2 de junio de 2007), coordinado por Mar Rey Bueno y Miguel López Pérez (JOSÉ ENRIQUE LAPLANA), 147–48.

Javier Marías: la conciencia dilatada, coordinado por Alexis Grohmann y Domingo Ródenas de Moya (GARETH WOOD), 632–3.

El juego con los estereotipos: la redefinición de la identidad hispánica en la literatura y el cine postnacionales, editado por Nadia Lie, Silvana Mandolessi y Dagmar Vandebosch (L. ELENA DELGADO), 1037–38.

Kapcia, Antoni, see Kumaraswami, Par.

Knox, Giles, The Late Paintings of Velázquez: Theorizing Painterly Performance (JEREMY ROE), 291–93.

Kumaraswami, Par & Kapcia, Antoni, with Nehru, Meesha, Literary Culture in Cuba: Revolution, Nation-Building and the Book (CARRIE HAMILTON) 647–48.

Lane, Kris, see Restall, Matthew.

Letherbridge, David, Norman Bethune in Spain: Commitment, Crisis and Conspiracy (JUDITH KEENE), 628–29.

Limón, José E., Américo Paredes: Culture and Critique (TRACI ROBERTS-CAMPS), 642–44.

Londres y el liberalismo hispánico, edición de Daniel Muñoz Sempere y Gregorio Alonso García, (GABRIEL SÁNCHEZ ESPINOSA), 150–51.

López, Ignacio Javier, Revolución, Restauración y novela ideológica: ‘La novela de Luis’ de S. de Villarminio (NIL SANTIÁÑEZ), 293–94.

Mandolessi, Silvana, Una literatura abyecta: Gombrowicz en la tradición argentina (MARINA KAPLAN), 308–10.

Manzo-Robledo, Francisco ‘I, Hernán Cortés’: The (Second) Trial of Residency (JUAN FRANCISCO MAURA), 304–05.

Marsh, Leslie L., Brazilian Women’s Filmmaking: From Dictatorship to Democracy (REBECCA J. ATENCIO), 312–13.

Matthews, James, Reluctant Warriors: Republican Popular Army and Nationalist Army Conscripts in the Spanish Civil War, 1936–1939 (ALEJANDRO QUIROGA), 151–53.

Mayers, Kathryn M., Visions of Empire in Colonial Spanish American Ekphrastic Writing (IVONNE DEL VALLE), 638–40.

McEnroe, Sean F., From Colony to Nationhood in Mexico: Laying the Foundations, 1560–1840 (ERIC VAN YOUNG), 636–37.

Melvin, Karen, Building Colonial Cities of God: Mendicant Orders and Urban Culture in New Spain (MARTIN NESVIG), 1041.

Méndez, Danny, Narratives of Migration and Displacement in Dominican Literature (KERSTIN OLOFF), 1043–44.

Miguel Delibes: nuevas lecturas críticas de su obra, coordinado por María Pilar Celma Valero y María José Rodríguez Sánchez de León (TERESA C. BOUCHER), 631–32.

Muñoz-Basols, Javier; Pérez Sinusía, Yolanda & David, Marianne, Spanish Idioms in Practice: Understanding Language and Culture (ÁNGELES CARRERES & MARÍA NORIEGA-SÁNCHEZ), 1013–14.

Nalbone, Lisa, The Novels of Carmen Conde: Toward an Expression of Feminine Subjectivity (JEAN ANDREWS), 153–54.

Nehru, Meesha, see Kumaraswami, Par.

Objects of Culture in the Literature of Imperial Spain, edited by Mary E. Barnard and Frederick A. de Armas (SUSAN BYRNE), 1018–20.

Pardo Bazán, Emilia, The House of Ulloa, translated, and with an introduction, by Paul O’Prey and Lucia Graves (DOROTA HENEGHAN), 625–26.

Pedro Calderón de la Barca, ‘La devoción de la cruz’/August Wilhelm Schlegel, ‘Die Andacht zum Kreuze’, edited, with an introduction, by Carol Tully (SOFIE KLUGE), 144–45.

Pensado, Jaime M., Rebel Mexico: Student Unrest and Authoritarian Political Culture during the Long Sixties (TIMOTHY E. ANNA), 159–60.

Pérez Sinusía, Yolanda, see Muñoz-Basols, Javier.

‘La profetiza Casandra y el leño de Meleagro’ de Pablo Polop y Valdés, edición de Arturo Echavarren (THOMAS AUSTIN O’CONNOR), 145–46.

Quirk, Ronald J., El repertorio de los personajes de Pereda (TONI DORCA), 1026–27.

Racism and Ethnic Relations in the Portuguese-Speaking World, edited by Francisco Bethencourt and Adrian Pearce (ANTHONY SOARES), 301–03.

Rawlings, Helen, The Debate on the Decline of Spain (JESÚS CRUZ), 148–50.

El realismo en Gonzalo Torrente Ballester: poder, religión y mito, editado por Carmen Rivero Iglesias (ANA GÓMEZ-PÉREZ), 1034–35.

Reed, Helen H, see Dadson, Trevor J.

Representing History, Class and Gender in Spain and Latin America: Children and Adolescents in Film, edited by Carolina Rocha and Georgia Seminet (LORRAINE RYAN), 1038–39.

Restall, Matthew & Lane, Kris, Latin America in Colonial Times (YANNA YANNAKAKIS), 157–58.

Rivera-Rodas, Óscar, Picón Salas: historia de la cultura y cosmopolitismo (HÉCTOR JAIMES), 640–41.

Robinson, Lorna, Gabriel García Márquez and Ovid: Magical and Monstrous Realities (KIMBERLY A. NANCE), 310–12.

Rodríguez Fer, Claudio; Agudo, Marta & Fernández Rodríguez, Manuel, Valente vital (Galicia, Madrid, Oxford), editado por Claudio Rodríguez Fer (JONATHAN MAYHEW), 154–55.

Ruiz de Alarcón, Juan, La cueva de Salamanca; La prueba de las promesas, edición, con introducción, de Celsa Carmen García Valdés (VICTORIA RÍOS CASTAÑO), 616–17.

Saberes humanísticos y formas de vida: usos y abusos. Actas del Coloquio Hispano-alemán. Zaragoza, 15–17 de diciembre de 2010, editado por Aurora Egido y José Enrique Laplana (DANA BULTMAN), 1017–18.

Salas Barbadillo, Alonso Jerónimo de, Don Diego de noche, edición de Enrique García Santo-Tomás (ENRIQUETA ZAFRA), 290–91.

Salmerón, Pedro, Vida de la venerable Madre Isabel de la Encarnación, edición de Robin Ann Rice (STACEY SCHLAU), 637–38.

Scarano, Laura, ‘Ergo sum’: Blas de Otero por sí mismo (NICOLÁS FERNÁNDEZ-MEDINA), 629–31.

Seawright, Jason, Party-System Collapse. The Roots of Crisis in Peru and Venezuela (GEORGE PHILIP), 164–65.

Shakespeare, Cervantes, and Rabelais. New Interpretations and Comparative Studies, edited by José Manuel González and Clive A. Bellis (EDWARD H. FRIEDMAN), 286–87.

Shaw, Deborah, The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón (NIAMH THORNTON), 648–49.

Sheinin, David M. K., Consent of the Damned: Ordinary Argentinians in the Dirty War (SUSANA KAISER), 163–64.

Sociabilidad y literatura en el Siglo de Oro, editado por Mechthild Albert (BRIAN BREWER), 1020–21.

Thurner, Mark, History’s Peru: The Poetics of Colonial and Postcolonial Historiography (NATALIA SOBREVILLA PEREA), 306–07.

Tierney, Dolores, Emilio Fernández: Pictures in the Margins (NAYIBE BERMÚDEZ BARRIOS), 160–61.

Tiffany, Tanya J., Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville (JEREMY ROE), 291–93.

Tompkins, Cynthia, Experimental Latin American Cinema: History and Aesthetics (SHELDON PENN), 649–50.

Valencia, Pedro de, Epistolario, estudio preliminar, edición, traducción, notas e índices de Francisco Javier Fuente Fernández y Juan Francisco Domínguez Domínguez (JOHN A. JONES), 139–40.

Valle-Inclán y las artes. Congreso Internacional, Santiago de Compostela, 25–28 de octubre de 2011, edición de Margarita Santos Zas, Javier Serrano Alonso y Amparo de Juan Bolufer (ROBIN WARNER), 1028–30.

Violence, Coercion, and State-Making in Twentieth-Century Mexico: The Other Half of the Centaur, edited by Will G. Pansters (GEMA KLOPPE-SANTAMARIA), 1042–43.

Weeks, Zebulin Q., Calvete de Estrella’s ‘De Rebus Indicis’, a Latin History of the Spanish Conquest of Peru. A Study of the Classical Influences and Spanish Sources, foreword by Richard C. Lounsbury (ROSA HELENA CHINCHILLA), 137–38.

Willis, Clive, Camões, Prince of Poets (ESTELA VIEIRA), 608–10.

Yiacoup, Şizen, Frontier Memory: Cultural Conflict and Exchange in the ‘Romancero fronterizo’ (DAVID ARBESÚ), 1016–17.

Zubiaurre, Maite, Cultures of the Erotic in Spain, 1898–1939 (RICHARD CLEMINSON), 1030–31.

REVIEW OF MISCELLANIES (CERI BYRNE), 317–23.

Notes

* The Annual Index for BSS, Volume XCII (2015), which is being made available online only, is found attached here to the August issue (XCII:7). It proved impracticable to include this Annual Index 2015 in the print version, owing to the exceptional demands on space made by the triple issue (XCII:8–10) to honour Ann L. Mackenzie, which concludes BSS, Volume XCII (2015). From Volume XCIII (2016) the Bulletin will revert to its usual practice of making the Annual Index available in print as well as online.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.