Introduction

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Notes

1 Keith Whinnom, ‘Spanish Literary Historiography: Three Forms of Distortion’, in his Medieval and Renaissance Spanish Literature: Selected Essays, ed. Alan Deyermond, W. F. Hunter & Joseph T. Snow (Exeter: Exeter U. P., 1994), 96–113.

2 Latin and Vernacular in Renaissance Spain (Manchester: Dept of Hispanic Studies, 1999); Latin and Vernacular in Renaissance Iberia, II: Translations and Adaptations (Manchester: Dept of Hispanic Studies, 2006); Latin and Vernacular in Renaissance Iberia, III: Ovid from the Middle Ages to the Baroque (Manchester: Dept of Hispanic Studies, 2008); Humanism and Christian Letters in Early Modern Iberia (1480–1630) (Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2010).

3 Fernando de Herrera, Anotaciones a la poesía de Garcilaso, ed., con intro., de Inoria Pepe & José María Reyes (Madrid: Cátedra, 2001), 687–90.

4 Herrera, Anotaciones a la poesía de Garcilaso, ed. Pepe & Reyes, 690–93.

5 Luis de Góngora, Obras completas, recopilación, prólogo & notas de Juan & Isabel Millé y Giménez (Madrid: Aguilar, 1932), 317, 887.

6 Garcilaso de la Vega, Obra poética y textos en prosa, ed., prólogo & notas de Bienvenido Morros (Barcelona: Crítica, 2007), 245–62.

7 Rafael Bonilla Cerezo, ‘Fortuna y legado del Polifemo: en torno a un soneto de Suárez de Figueroa’, in El ‘Polifemo’ de Góngora: la vigencia de un clásico, coord. Jesús Ponce Cárdenas, Ínsula, 781–782 (2012), 34–37 (pp. 34–35); José Ares Montes, Góngora y la poesía portuguesa del siglo XVII (Madrid: Gredos, 1956). 

8 Walter J. Ong, ‘Latin Language Study As a Renaissance Puberty Rite’, Studies in Philology, LVI (1959), 103–24.

9 This requirement of the modern poet is a leitmotif of the contemporary critical discourse mapped by Alejandro Coroleu, Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470–ca. 1540) (Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2014).

* Disclosure Statement: No potential conflict of interest was reported by the authors.