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Notes
1. Two interesting articles on this aspect of the structure are: D. L. Shaw, ‘Narrative arrangement in La muerte de Artemio Cruz’, FMLS, XV (1979), 130–43, and Nelson Osorio, ‘Un aspecto de la estructura de La muerte de Artemio Cruz’, in Homenaje a Carlos Fuentes, ed. H. Giacoman (New York: Las Americas Publishing Co., 1971), 125–46.
2. Liliana Befumo Boschi and Elisa Calabrese in Nostalgia del futuro en la obra de Carlos Fuentes (Buenos Aires: Fernando García Cambeiro, 1973) are among the few critics to treat Fuentes’ works as a continuum, without an important break with Cambio de piel and Zona sagrada. They outline in that work some of the points examined here.
3. Page references in brackets refer to La muerte de Artemio Cruz (Mexico City: Fondo de Cultura Económica, 1970).
4. See Gloria Durán, La magia y las brujas en la obra de Carlos Fuentes (Mexico City: Universidad Nacional Autónoma de México, 1976).
5. There is a very similar duality between betrayal and solidarity, Christian and Aztec salvation, in the prison scene involving Gervasio Pola in La región más transparente.
6. Leopoldo Zea, El pensamiento latinoamericano (Mexico City: Pormaca, 1965), vol. I, 7.
7. José Ortega y Gasset, ‘Hegel y América’, in Obras completas (Madrid: Revista de Occidente, 1954), vol. II, 572.
8. cit. by Zea, vol. I, 7.
9. Terra Nostra (Barcelona: Seix Barrai, 1975), 483–85.
10. C. Fuentes, prologue to Los reinos imaginarios: teatro hispanoamericano (Barcelona: Barrai, 1971), 10.
11. Los reinos imaginarios, 20.