![Sample our Arts journals, sign in here to start your access, latest two volumes FREE to you for 14 days]({"type":"image" , "src" : "/sda/110799/TOC-Subject-Sample-2021-Arts.jpg"})
Notes
1. Mary Atwater, “It’s Pretty—But is it Art?,” Byways in Hand-weaving (New York: The Macmillan Company, 1954).
2. Lili Blumenau, “Review of Anni Albers: On Designing,” Craft Horizons 20 (March 1960): 51; Irene Emery, "Review of On Weaving," American Anthropologist 70, No. 1 (Feb 1968): 180–181.
3. Simon Yuill, “Anni Albers and Digital Art,” public lecture, Mead Art Gallery, Warwick University, May 2013.
Additional information
Notes on contributors
Janis Jefferies
Janis Jefferies is an artist, writer, and curator, and is internationally recognized for her curatorial work, publishing, and exhibitions of research practice in Europe, Canada, Australia, and Eastern Europe. She one of the original three founders of Textile: The Journal of Cloth and Culture in 2002. With Diana Wood Conroy, and Hazel Clark, she edited The Handbook of Textile Culture in 2015. In 2017, her introduction to From Tapestry to Fiber Art. The Lausanne Biennials 1962–1995 was published by Fondation Toms Pauli Lausanne and Skira Editions Milan. She was chief editor for TECHSTYLE Series 2.0: Ariadne’s Thread, Hong Kong: MILL6 Foundation/CHAT and author of Ravelling and Unravelling: Myths of Europe, texts, textiles and political metaphors for the EU project, Philosophy of Weaving (as a practice /techne and/or as political metaphor), Nissos Publications in Athens. She exhibited Weaving Europe: Pafos, EU City of Culture, Othellos -Attikon Cultural Centre (Pafos) and Weaving & We 2016 Hangzhou Fiber Art Triennial, China.