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Abstract
Climbing tourists, seeking out evermore exciting locations in which to practise their sporting and touristic ‘envelope-pushing’, provide an excellent example for analysis of how foreign places and peoples are enmeshed in individual narratives of othering and ‘selfing’ predicated in no small part on individualised and marketised (mis)conceptions of embodied risk, heavily gendered forms of ‘extremeness’ and ethnic difference. Based on observer-as-participant fieldwork carried out in Wadi Rum, and analyses of marketing publications aimed specifically at rock-climbing tourists, this article explores how this particular landscape is masculinised to appeal to the ‘hard’ [Robinson, V. (2008). Everyday masculinities and extreme sport: Male identity and rock climbing. Oxford: Berg] Western climber, who is invited to experience Rum as hard or extreme play; as a performance of leisure that is unpredictable and unusually dangerous and risky for several reasons. Wadi Rum's ‘soaring sandstone towers’, inhospitable desert environment and Bedouin inhabitants feature heavily in holiday advertisements; the Bedouin people are valorised for both their ‘inherent primitiveness’ and capacity to adapt to, and ultimately conquer, their land's inhospitable summits. It is under these terms that adventure tourist ‘spaces’ become racialised, gendered and often classed and sexualised through various intersecting discourses.