Notes
1. Vilém Flusser, “Celebration,” in Writings, trans. Erik Eisel (Minneapolis: University of Minnesota Press, 2002), 166.
2. Vilém Flusser, “Celebration,” in Writings, trans. Erik Eisel (Minneapolis: University of Minnesota Press, 2002), 167.
3. Vilém Flusser, “Celebration,” in Writings, trans. Erik Eisel (Minneapolis: University of Minnesota Press, 2002), 168.
4. Vilém Flusser, “Celebration,” in Writings, trans. Erik Eisel (Minneapolis: University of Minnesota Press, 2002), 167.
5. Vilém Flusser, “Celebration,” in Writings, trans. Erik Eisel (Minneapolis: University of Minnesota Press, 2002), 168.
6. Max Horkheimer and Theodor W. Adorno, “The Culture Industry: Enlightenment as Mass Deception,” in The Dialectic of Enlightenment: Philosophical Fragments, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott (Stanford, CA: Stanford University Press, 2002), 112.
7. Flusser, “Celebration,” 169.
8. Flusser, “Celebration,” 169, 165.
9. Flusser, “Celebration,”, 169.
10. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 60.
11. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 62.
12. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 65.
13. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 60.
14. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 86.
15. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 87.
16. Giorgio Agamben, “Nudity,” in Nudities, trans. David Kshik and Stefan Pedatella (Stanford, CA: Stanford University Press, 2011), 82.
17. Flusser, “Celebration,” 171.
18. Flusser, “Celebration,” 171.
19. Flusser, “Celebration,” 171.
20. Flusser, “Celebration,” 171.
21. Flusser himself knew a thing or two about exile, having fled the Nazis to Brazil—a productive trauma on which he reflected a great deal in his writings.
22. This no doubt self-indulgent nostalgia was obscenely in evidence in the belated sequel to Tron—grandiosely named Tron Legacy—pitching itself as a second coming, of sorts.