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Forum: Cultural Studies and the Global South. Forum Editor: Raka Shome

Cultural studies and the African Global South

Pages 257-267 | Received 03 Jul 2019, Accepted 03 Jul 2019, Published online: 12 Sep 2019
 

ABSTRACT

Cultural studies exhibits multiple derivations from different historical conjunctures and places. This essay examines three instances of cultural studies emanating from within Africa, in relation to the field in the North Atlantic. What a “Southern” lens offers the North are different ways of making sense and a transnational framework that enables peer-to-peer conversations. This transe/trance quality is explained via a discussion of the scientifically unexplainable, superstition, and the noumenal. The immateriality of money and its associated human performances as reified by New York stock exchanges is the example through which transnational theoretical hybridity is examined.

Notes

1 Keyan G. Tomaselli, “Misappropriating Discourses: Intercultural Communication Theory in South Africa, 1980–1995,” Communal/Plural: Journal of Transnational and Crosscultural Studies 17, no. 2 (1999): 137–58. https://www.researchgate.net/publication/306287047_Misappropriating_Discourse-_Intercultural_Communication_Theory_in_South_Africa_1980-1995.

2 Paul Du Gay, Production of Culture/Cultures of Production (London: Sage, 1997).

3 Stuart Hall, “Encoding/Decoding,” in Culture, Media and Language, eds. Stuart Hall, Dorothy Hobson, Andy Lowe, and Paul Willis (London: Hutchinson, 1981), 128–38.

4 Ruth Teer-Tomaselli, IAMCR bid document, South–North Conversations IAMCR Conference, July 2012. SACOMM-UKZN, 7 June 2011, p. 1, https://iamcr.org/iamcr-2012-programme-online.

5 Matthew Arnold, Culture and Anarchy (Cambridge, UK: Cambridge University Press, 1869).

6 Astrid Von Kotze, Organise & Act: The Natal Workers Theatre Movement 1983–1987 (Durban: Culture and Working Life Publications, 1988).

7 See Aelred Stubbs, ed., Steve Biko 1946–1977: I Write What I Like (London: Bowerdean Press, 1978).

8 Handel K Wright, A Prescience of African Cultural Studies: The Future of Literature in Africa is Not What It Was (New York: Peter Lang, 2004).

9 S.A. Van der Smit, “Ngugi Wa Thiong’o and Kenyan Theatre in Focus” (master's Thesis, University of Namibia, 2007), http://repository.unam.edu.na/bitstream/handle/11070/388/vandersmit2007.pdf?sequence=1&isAllowed=y.

10 Ngugi wa Thiong’o, Decolonising the Mind: The Politics of Language in African Language (London: James Currey, 1986).

11 Paolo Freire, Pedagogy of the Oppressed, 30th anniversary ed. (New York: Continuum, 2005). See also Emma Durden and Keyan G. Tomaselli, “Theory Meets Theatre Practice: Making a Difference to Public Health Programmes in Southern Africa—Professor Lynn Dalrymple: South African Scholar, Activist, Educator,” Curriculum Inquiry 42, no. 1 (2012): 80–102.

12 Keyan G. Tomaselli, Appropriating Images: The Semiotics of Visual Representation (Høbjerg: Intervention Press, 1996).

13 Keyan G. Tomaselli, “Alter-Egos: Cultural and Media Studies,” Critical Arts 26, no. 1 (2012): 14–38.

14 Handel K. Wright, “Dare We De-Centre Birmingham? Troubling the ‘Origin’ and Trajectories of Cultural Studies,” European Journal of Cultural Studies 1, no. 1 (1998): 33–56.

15 Joke Hermes et al., “On the Move: Twentieth Anniversary Edition of the European Journal of Cultural Studies,” European Journal of Cultural Studies 20, no. 6 (2017): 595–605.

16 Eric P. Louw, “Rethinking the Leftist Struggle in South Africa,” Critical Arts 6, no. 1 (1992): 1–25. See also: Keyan G. Tomaselli, “Encoding/decoding, The Transmission Model and a Court of Law,” International Journal of Cultural Studies 19, no. 1 (2015): 59–70.

17 Stuart Hall, “Life and Times of the First New Left,” New Left Review 61 (January–February 2010), https://newleftreview.org/II/61/stuart-hall-life-and-times-of-the-first-new-left.

18 Tony Bennett, “Putting Policy into Cultural Studies,” in Cultural Studies, eds. Larry Grossberg, Cary. Nelson, and Paula A. Treichler (New York: Routledge, 1992), 23–38.

19 Handel K. Wright, “What has African Cultural Studies Done for You Lately? Autobiographical and Global Considerations of a Floating Signifier,” Critical Arts 30, no. 4 (2016): 478–95.

20 Van der Smit, “Ngugi Wa Thiong’o and Kenyan Theatre in Focus,” cccxi–cccxi.

21 Keyan G. Tomaselli and Nyasha Mboti, “‘Doing’ Cultural Studies: What is Literacy in the Age of the Post?” International Journal of Cultural Studies 16, no. 5 (2013): 521–37. See also Keyan Tomaselli, Nyasha Mboti and Helge Rønning, “South–North Perspectives: The Development of Cultural and Media Studies in Southern Africa,” Media, Culture and Society 35, no. 1 (2013): 36–43.

22 Jürgen Habermas, The Structural Transformation of the Public Sphere (Cambridge, MA: MIT Press, 1991).

23 Ragnar Waldhal, ed., Perspectives on Media, Culture and Democracy in Zimbabwe (Oslo: University of Oslo, Department of Media and Communication, 1998).

24 Ruth E. Teer-Tomaselli, “Transforming State-Owned Enterprises in the Global Age: Lessons from Broadcasting and Telecommunications in South Africa,” in Political Economy of Media Transformation in South Africa, eds. Anthony Olorunnisola and Keyan G. Tomaselli (Cresskill, NJ: Hampton Press, 2011), 133–66.

25 Nhamo Mhiriphiri, “This Hard Place and that Hard Terrain: Emerging Perspectives on Media and Cultural Studies on or in Zimbabwe,” in The Palgrave Handbook of Media and Communication Research in Africa, ed. Bruce Mutsvairo (London: Palgrave, 2018), 427–50.

26 T.I. Oizerman, “Kant's Doctrine of the ‘Things in Themselves’ and Noumena,” Philosophy and Phenomenological Research 41, no. 3 (1981): 333–50.

27 Jean Comaroff and John Comaroff, eds., Millennial Capitalism and the Culture of Neoliberalism (Durham, NC: Duke University Press, 2001).

28 Paul Stoller, “Eye, Mind and Word in Anthropology,” L’Homme 24, no. 3–4 (1984): 91–114. Paul Stoller, The Cinematic Griot: the Ethnography of Jean Rouch (Chicago: Chicago University Press, 1992).

29 Stoller, The Cinematic Griot, 205.

30 Jeannette DeBouzek, “The ‘Ethnographic Surrealism’ of Jean Rouch,” Visual Anthropology 2, no. 3–4 (1989): 304.

31 Paul Stoller, The Taste of Ethnographic Things: The Senses in Anthropology (Philadelphia: University of Pennsylvania Press, 1989): 54.

32 Stoller, “Eye, Mind and Word in Anthropology,” 110.

33 Charles Sanders Peirce, Adirondack Lectures, The Collected Papers of Charles Sanders Peirce Vol. 1, in eds. Hartshorne Charles and Weiss Paul (Cambridge, MA: Harvard University Press, 1931), paragraph 284.

34 Tzvetan Todorov, The Fantastic: A Structural Approach to a Literary Genre, trans. Richard Howard (New York: Ithaca, 1973).

35 Keyan G Tomaselli, “Virtual Religion, the Fantastic, and Electronic Ontology,” Visual Anthropology 28, no. 2 (2015): 109–26.

36 Enrico Fulchignoni, “Conversation Between Jean Rouch and Professor Enrico Fulchignoni,” Visual Anthropology 2, no. 3–4 (1989): 265–300.

37 Jean Comaroff and John Comaroff, “Millennial Capitalism: First Thoughts on a Second Coming,” Public Culture 12, no. 2 (2000): 292.

38 See, e.g., Karl Marx, Capital: A Critique of Political Economy, trans. Ben Fowkes, vol. 1 (New York: Penguin, 1990): 163–4.

39 Lana Swartz, “What was Bitcoin? The Techno-Economic Imaginaries of a New Money Technology,” Cultural Studies 32, no. 4 (2018): 623–50.

40 Bill Maurer, Mutual Life, Limited: Islamic Banking, Alternative Currencies, Lateral Reasoning (Princeton, NJ: Princeton University Press, 2005): 85.

41 Francis P. Kasoma, “The Foundations of African Ethics (Afriethics) and the Professional Practice of Journalism: The Case of Society-Centered Media Morality,” Africa Media Review 10, no. 2 (1996): 93–116.

42 Kasoma, “The Foundations of African Ethics,” 107–8.

43 Chetan Bhatt, “The Virtues of Violence and Arts of Terror: The Salafi-Jihadist Political Universe,” Theory, Culture and Society 3, no. 1 (2014): 25–48.

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