Riszko, Leila. 2017. Breaching bodily boundaries: posthuman (dis)embodiment and ecstatic speech in lip-synch performances by boychild. International Journal of Performance Arts and Digital Media,13(2). https://doi.org/10.1080/14794713.2017.1348094
When this paper was published in print issue 13 (2) of the International Journal of Performance Arts and Digital Media, the following Note of Correction should have been included at the end of the paper:
“In a number of previous publications by other authors, boychild’s onstage persona has been written about as female. In such texts the artist’s work has also been discussed using the term 'black' and with reference to the politics of blackness. The author followed these precedents in the writing of this article. Since its publication, however, the artist has clarified the following points regarding correct usage of terminology when referring to them and their work. Firstly, the artist identifies as a person of colour, not as black. Secondly, whilst it is appropriate to use female pronouns to refer to boychild’s onstage persona, the artist considers this persona to be gender ambiguous, not female.”
Taylor & Francis apologises for this error.