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Articles

The labour of leisure: the work of square dance calling

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Pages 375-393 | Received 18 Feb 2016, Accepted 21 Jun 2016, Published online: 14 Feb 2017
 

ABSTRACT

Attention is increasingly being paid to the work involved in the production of leisure activities. In this article we offer an ethnographic description of the work of square dance calling and its role in the square dance community. Square dance is a form of social dance carried out by groups of four pairs of dancers arranged in a square, moving in response to on-the-spot instructions of a square dance caller. Callers’ labour is at the centre of the square dance community. Calling on concepts of immaterial labour, affective labour, and virtuosity, we describe the mostly hidden work of the square dance caller, the goal of which is to produce a fun dance evening for participants. The multi-faceted labour of being a caller includes being a singer, an entertainer, an expert in calling, a teacher, a sound equipment expert, a business person, and an emotional worker instrumental in producing other people’s pleasure in what is for them a leisure activity and thereby contributing to maintaining the square dance community.

RÉSUMÉ

Une attention croissante est accordée aux efforts associés à la production d’activités ludiques. Dans cet article, nous proposons une description du travail du maître de danse carrée. La danse carrée est une forme de danse sociale effectuée par des groupes de quatre paires de danseurs disposés en carré et se déplaçant en réponse aux instructions improvisées du maître de danse carrée. Le travail des maîtres de danse est au centre de la communauté de danse carrée. Le travail d’un maître comporte de multiples facettes, dont celle d’être un chanteur, un artiste, un expert en appel de danse, un enseignant, un expert en équipement de sonorisation, un homme d’affaires et un travailleur affectif dont le travail consiste à procurer du plaisir aux personnes dans ce qui représente une activité ludique à leurs yeux. En faisant appel aux concepts du travail immatériel, du travail affectif et de la virtuosité, nous décrivons le travail souvent caché du maître de danse carrée dont le but est d’offrir une agréable soirée de danse aux participants et de contribuer ainsi à la pérennité de la communauté de la danse carrée.

Disclosure statement

No potential conflict of interest was reported by the authors.

Notes

1. Ethics approval for this study was obtained from the University of Calgary Conjoint Faculties Research Ethics Board. All callers interviewed for this study signed consent forms and agreed to the use of their real names. In the rest of the article, they will be referred to by their first names. All people shown in photographs have given permission for the photographs to be published.

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