![Sample our Humanities journals, sign in here to start your FREE access for 14 days]({"type":"image" , "src" : "/sda/5939/TOC-Subject-Sample-2021-Humanities.jpg"})
Abstract
Christian film criticism reveals the role religion plays in how we use and interpret media. Relying on a textual analysis that compares the film reviews of two prominent yet diametrically opposed Christian film critics—the fundamentalist Christian Movieguide and post-evangelical Jeffrey Overstreet—this article analyzes the similarities in their approaches to Christian criticism in order to better understand how religious faith in general, and Christian faiths in particular, influence the use and interpretation of media. It identifies three main themes of Christian criticism—affirming the affective power of movies, exploring movie going as an exercise in understanding worldviews, and addressing the standards of production excellence—and argues that Christian criticism is distinguished in part based on its emphasis of movie-going as a transformative experience.
Notes
1For more comprehensive coverage of the Christian media industry, see CitationHendershot (2004) and CitationMcDannell (1995).
2Although the popular press tends to use “fundamentalist” and “fundamentalism” as pejorative terms, I use them less as terms that evoke moral dissonance and more as terms that differentiate this belief system from other approaches to Christianity. To be sure, fundamentalist Christians apply their faith to mainstream culture in ways unique from other believers, and my use of “fundamentalist” attempts to reflect that difference rather than to make a judgment on their beliefs.