From Interval, to Trill, to Undulation: Expressions of Vulnerability in the Melismatic Gestures of Jacques Brel and Stromae

Abstract

In this article, I propose a musico-cultural analysis of expressions of vulnerability in the connections between musical interval, linguistic texture, and language. I focus on the productive qualities of the in-between space of the voice within a specific interval—the falling semitone—and demonstrate how the exaggerated use, repetition, and reverberations of this interval by two Belgian musical artists, Jacques Brel (1929–1978) and Stromae (b. 1985) contribute to a cartography of vulnerability particular to their aesthetic projects and cultural critiques. This analysis places Michel Serres’ philosophies of communication and Roland Barthes’ grain de la voix into dialogue with an examination of the aural in-between. The exaggerated repetition of the semitone is heard as an undulation reminiscent of a melisma (several notes sung over one syllable), which is mirrored in the embellished trilled [R] consonant particular to these two artists. Visualizing the shared melodic and linguistic acoustic movements as undulations provides a point of access into the in-between space of the sung voice that reframes weakness, failure, and vulnerability as highly choreographed and exploited central aesthetic projects shared by Brel and Stromae.

Keywords:

• Voice
• vulnerability
• music
• noise
• grain
• communication

Notes

1 Stromae. Cheese. Universal Music France, 2010.

2 Stromae. Racine Carrée. Universal Music France, 2013.

3 Everitt, Lauren. “Whitney Houston and the Art of the Melisma.” BBC.com. 15 Feb. 2012. Web. http://www.bbc.com/news/magazine-17039208. 12 Jan. 2017.

Additional information

Notes on contributors

Andrea Jonsson

Andrea Jonsson is Assistant Professor of French at Texas Tech University. Her research interests are in Contemporary French Literature and Culture that explore sound and poetics in the play between textuality and orality. She has had articles published in The French Review, Cincinnati Romance Review, and has forthcoming publications in Essays in French Literature and Culture and L’Esprit Créateur.